Run Hide Fight (2020)
Directed by Kyle Rankin
Cinematography by Darin Moran
seen from Kazakhstan

seen from United States
seen from United States

seen from Singapore
seen from China

seen from United States
seen from China
seen from Türkiye

seen from Kazakhstan

seen from United States

seen from Germany
seen from Spain

seen from Pakistan
seen from Kazakhstan
seen from China

seen from Norway
seen from United States
seen from United States
seen from China

seen from Norway
Run Hide Fight (2020)
Directed by Kyle Rankin
Cinematography by Darin Moran
Cinestate is the Future of Cinema
This week LowRes, The Cinematologist, and CLASH Books managing editor Christoph Paul discuss Cinestate bringing the art of filmmaking out of Hollywood, their merger with Fangoria, and the implications of it on independent publishing.
Listen to the //MOVIES Podcast
Carnivorous Lunar Activities will be published on February 22 via Cinestate. It’s the third book under the Fangoria Presents banner, following Our Lady of the Inferno and My Pet Serial Killer.
The 380-page paperback is written by Max Booth III. Described as “the ultimate werewolf bromance,” the novel draws comparisons to An American Werewolf in London, Old School, and Bubba Ho-Tep. Read the synopsis below.
CINESTATE RETROSPECTIVE: Brawl In Cell Block 99 (2017)
Film experts revisit and analyze the 2017 Cinestate production, directed by S. Craig Zahler - Brawl in Cell Block 99.
Dragged Across Concrete (2018)
Directed by S. Craig Zahler
Cinematography by Benji Bakshi
Brawl in Cell Block 99 (2017)
Directed by S. Craig Zahler
Cinematography by Benji Bakshi
You’ll never believe this but the same systems that enabled Harvey Weinstein are still in practice today, only it’s in Non-Union filmmaking, where a lack of outreach systems to correct abhorrent behavior is the only constant.
Cinestate producer Adam Donaghey (“A Ghost Story”) was arrested for raping a minor. But audio of him sexually harassing a crewmember has bee
The Time To Do Better Is Now
The Time To Do Better Is Now
In 2016, not long before Trump’s election, film criticism had a proto-MeToo era reckoning of their own. Devin Faraci, one of the founding online critics and the editor-in-chief of Birth. Movies. Death., was summarily outed as an abuser. The fallout was more or less immediate: Faraci left the website, and a number of editors, writers, and critics commented on how the critical community in general…
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