Oct 9, 2018
VISUAL COMPONENT: COLOR.
seen from T1
seen from United States
seen from United States
seen from China
seen from Türkiye
seen from Singapore
seen from New Zealand
seen from Singapore
seen from China
seen from China
seen from Malaysia
seen from United States
seen from United Kingdom
seen from United States
seen from Netherlands
seen from Argentina
seen from Singapore
seen from United States
seen from Australia
seen from United States
VISUAL COMPONENT: COLOR.
VISUAL COMPONENT: TONE. Brightness of an object on a tonal scale from black to white.
VISUAL COMPONENT: LINE.
Lines have direction and quality (e.g. straight, curved).
Visual intensity. A film in which every frame is gray would be low intensity. A film in which ever other frame as white, then black would be high intensity. The first may bore an audience, the latter may disturb an audience.
AFFINITY = SAMENESS. In this case with have AFFINITY of TONE within a picture. Because the TONES are similar.
CONTRAST = DIFFERENCE. In this case, we have a CONTRAST of TONE. Because the TONES are different.
VISUAL PROGRESSION. is fundamental to building visual structure in cinematic arts. Simple > Complex
Overlap depth cue. When two objects overlap, an illusion of depth is created.