Victoria and Virtus
Artist: Sir Peter Paul Rubens (Flemish, 1577–1640)
Date: 1618
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, Vienna, Austria
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Victoria and Virtus
Artist: Sir Peter Paul Rubens (Flemish, 1577–1640)
Date: 1618
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, Vienna, Austria
Evening Landscape with Aqueduct
Artist: Théodore Géricault (French, 1791–1824)
Date: 1818
Medium: Oil on canvas
Collection: Metropolitan Museum of Art, New York City, NY, United States
Description
This work is one of a projected set of four monumental landscapes representing the times of day that Gericault painted in his Paris studio. (Only three were completed.) Conceived as a decorative ensemble, the paintings fuse souvenirs of ruins in the Italian countryside, which the artist had visited in 1816 and 1817, with the grand manner exemplified by past masters Nicolas Poussin and Joseph Vernet. The stormy sky and turbulent mood of this picture exemplify notions of the Sublime and the aesthetic of the emerging Romantic movement.
Large and dramatic elements in nature such as cliffs and mountains are portrayed, and the sky ominously blazes orange as bluish and grey clouds gather above for a storm. On the left side of the composition, the ruins of what might be a roman structure is overgrown with ivy and foliage, and a whole tree even springs out of the stone bricks! Buildings in the painting even start to appear as natural extrusions from the cliff-side.
The Prophet Elijah and the Widow of Zarephath
Artist: Cornelis van Poelenburch (Dutch, (1594-1667)
Date: c. 1630
Medium: Oil on panel
Collection: National Gallery of Art, Washington, DC, United States
Description
Cornelis van Poelenburch was an important representative of the first generation of Dutch artists who drew inspiration from the landscape and culture of Italy. He is celebrated for his small-scale paintings of arcadian, biblical, or mythological subjects that featured figures in an Italianate landscape, often with Roman ruins. This work was painted in Utrecht, after the artist had spent nearly a decade in Italy, and although the landscape setting here is imaginary, the ruin on the left is based on the Temple of Castor and Pollux in the Roman Forum, built in 495 BC.
The Prophet Elijah and the Widow of Zarephath illustrates the biblical story of the encounter between prophet Elijah and a widow and her son gathering sticks when he arrives at the town of Zarephath. Elijah asks her for a piece of bread, and the destitute widow invites him to her home where she uses her last bit of flour and oil to bake for him. The prophet then blesses the woman and her child, and assures them that their supplies of flour and oil will never be diminished. Shortly thereafter the son dies, but because of Elijah’s fervent prayers, God returned the boy to life.
1 Kings 17:8-16 (NIV)
Then the word of the LORD came to him: “Go at once to Zarephath in the region of Sidon and stay there. I have directed a widow there to supply you with food.” So he went to Zarephath. When he came to the town gate, a widow was there gathering sticks. He called to her and asked, “Would you bring me a little water in a jar so I may have a drink?” As she was going to get it, he called, “And bring me, please, a piece of bread.” “As surely as the LORD your God lives,” she replied, “I don’t have any bread—only a handful of flour in a jar and a little olive oil in a jug. I am gathering a few sticks to take home and make a meal for myself and my son, that we may eat it—and die.” Elijah said to her, “Don’t be afraid. Go home and do as you have said. But first make a small loaf of bread for me from what you have and bring it to me, and then make something for yourself and your son. For this is what the LORD, the God of Israel, says: ‘The jar of flour will not be used up and the jug of oil will not run dry until the day the LORD sends rain on the land.’ ” She went away and did as Elijah had told her. So there was food every day for Elijah and for the woman and her family. For the jar of flour was not used up and the jug of oil did not run dry, in keeping with the word of the LORD spoken by Elijah.
More classic cars and classic buildings! Thanks to C. Brenninkmeijer for the delightful photo of the 1954 VW T1 van!
Man Holding a Carnation to a Woman's Nose: An Allegory of the Sense of Smell
Artist: Nicolaes Maes (Dutch, 1634–1693)
Date: circa 1660
Medium: Oil on canvas
Collection: Ashmolean Museum of Art and Archaeology, Oxford, England
More classic cars and classic buildings! Thanks to C. Brenninkmeijer for the delightful photo of the 1954 VW T1 van!
A Paronamic View of an Italian City with Classical Buildings along a River, Jacob Willemsz. de Wet
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Popular Classical Architecture Buildings Loved For Their Immense Beauty
Those who love classical beauty find no boundaries to glimpse them. No matter which part of the world has the richly architected classical buildings, the fans always make their ways to reach the spots. Among the best tourist attractions in the world, the following buildings are famous due to their immense beauty of architecture and rich classical history. If you are lucky to visit any of them, then I bet you would definitely find them the gorgeous landmarks and precious assets for human beings to remind the glory of the history.
Beaumont House
Birmingham Town Hall
Civic Center Gallery
Council House, Birmingham Gallery
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Leeds Town Hall
Parthenon Gallery
Propylaea Gallery
Temple of Hephaestus
Walt Disney World Resort
Metropolitan Museum of Art Gallery