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[allaboutilvolo]

Il Volo: links & news on April 2nd, 2016 / link e notizie del 2 aprile 2016

New Post about @ilvolo has been published on http://www.ilvolo.mus.br/2016/04/il-volo-links-news-on-april-2nd-2016-link-e-notizie-del-2-aprile-2016/

Il Volo: links & news on April 2nd, 2016 / link e notizie del 2 aprile 2016

April 2nd, 2016 has arrived: the Il Volo North American Tour 2016 has come to its last stage, tonight in Indio, CA! While the Latin American Tour is coming closer, there's so much to say about Piero, Ignazio and Gianluca. - Read in English. E' arrivato il 2 aprile 2016: il Tour Nordamericano 2016 de Il Volo è giunto alla sua ultima tappa, stasera a Indio, California! Mentre si avvicina il Tour Latinoamericano, c'è molto da dire a riguardo di Piero, Ignazio e Gianluca. - Leggi in Italiano.

[feritodman]

Drummer Ferit Odman Releases 'Dameronia With Strings' on New Equinox Music CD [REVIEW] By Mike Greenblatt [email protected] | Dec 30, 2015 07:50 PM EST Tadd Dameron [1917-1965] came out of Cleveland a piano-playing teenager and was soon writing and arranging in New York City for Count Basie. It's his "Hot House" that helped make Charlie Parker famous, and he also greatly helped and inspired Dizzy Gillespie. He co-led a 1949 band with Miles Davis in Paris. In 1956, he recorded "Mating Call" and gave an unknown sax player named John Coltrane his big break. Dameronia With Strings (Equinox Music & Entertainment) is the brainchild of drummer Ferit Odman, from Istanbul, Turkey. Besides legend-in-the-making Terell Stafford on trumpet, Dameronia With Strings has a gorgeously arranged string sextet by David O'Rourke augmenting drums/bass/trumpet/piano to add flavor, color and oomph to eight of Dameron's creations. "Smooth As The Wind," a tune Tadd did in 1961 with Blue Mitchell, is the highlight but all seven other tracks swoon with tempestuous delight. Its syncopated bebop/sultry swing shares time with string section charts that cloud the coffee with recurring dreaminess. It's different. It is unique. Tadd's 1946 arrangement on his own "If You Could See Me Now" was one of Sarah Vaughan's very first recordings under her own name. Here, it's lovingly resurrected to the point where the originally rather austere style has been stretched out into an almost classical zone with harmonics and zesty kinetic movement. An overabundance of strings usually brings a saccharine element. String-drenched sides have ruined many a great singer's records; Ray Charles, Jackie Wilson and Dean Martin come to mind. To hear six strings compete for attention here, in a fresh, vital and totally new way is a delight however. As song after song slides sensuously by, one is reminded of the abject genius of Tadd Dameron. One is then saddened by the stark reality that this sensitive soul, who never achieved mainstream popularity, had his run ended prematurely in 1958 when incarcerated for drug possession. After his 1961 release, he settled into a comfortable niche writing for TV and arranging for Milt Jackson, Sonny Stitt and Brook Benton. He died in 1965 from cancer. But, much like Billy Strayhorn, who toiled in obscurity when the world should have recognized his genius, Dameron is getting his props posthumously. Surely though, we will be hearing more from the supremely talented Ferit Odman while he's still with us.

http://www.classicalite.com/articles/34506/20151230/drummer-ferit-odman-releases-dameronia-strings-new-equinox-music-cd-review.htm#.VoSJWo6M0OE.facebook

[mannyx]

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Somehow I ended up back in my Alma Matter. Have some good memories in this gym. #Classicalite #2004 #PurplePride.

[yonoise]

Visit Original Link

C-LITE A.V. THEME

[yonoise]

AEG hein euf, gyaaaa uh uh ah, gye gye gye gyeeeeuw. AEG hein euf, gyaaaa uh uh ah, gyuh Nyi Nyi nyi nyiiii nyao ni ni ni. AEG hein euf, gyah, ah, JEF, yaaiooiiiiinaaiiooneueuaodeh. AEG hein euf, gyaaaa uh uh ah, gye naowenyeeehuh. AEG hein euf, gyaaaa uh uh ah, gyuh nyi NAO seddedum. AEG hein euf, gyah, ah, JEF, giaoaiosoiiiiinaaiiooneueuayewnudeh. [BRISEADH] AEG hein euf, gyaaaa uh uh ah, gye naowenyeeehuh. AEG hein euf, gyaaaa uh uh ah, gyuh nyi NAO seddedum. AEG hein euf, gyah, ah, JEF, giaoaioseoiiiiinaaiio - Appelez le 911 anois! BWUY YOH. GWEEEH nyen Nyun nyon, GWEEEH nyen Nyun nyon, NYIOAM. BWUY YOH. GWOH Nyeh Nyeh Nyeh, GWOOOOP GUHWEEEE-yooooo. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee NYIOAM. GWEE GWOOOOHOOH non non non, gwish Gwash, tú Gah euh Jah! BWUY YOH. GWEEEH nyen Nyun nyon, GWEEEH nyen Nyun nyon, NYIOAM. BWUY YOH. GWOH Nyeh Nyeh Nyeh, GWOOOOP GUHWEEEE-yooooo. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee NYIOAM. GWEE GWOOOOHOOH non non non, gwish Gwash gwilla bah. BWUY YOH. Bwohhhh widdle da widdle dhéanamh woodley widdledy wawww weeeeh. Gritchlew, WEUUUUW, GWAAH GWOOH GRAW GRIH GRIH GRIH GREUUUUW. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee REHHH sheww. (A dhéanann Bwohhhh widdle da widdle woodley widdledy wawww.) Geh geh geh GUHWEEEE EH non non non, gwish Gwash, tú Gah euh Jah! BWUY YOH. Bwohhhh widdle da widdle dhéanamh woodley widdledy wawww weeeeh. Gritchlew, WEUUUUW, GWAAH GWOOH GRAW GRIH GRIH GRIH GREUUUUW. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee REHHH sheww. (A dhéanann Bwohhhh widdle da widdle woodley widdledy wawww.) Geh geh geh GUHWEEEE EH non non non, gwish Gwash, tú Gah euh Jah! ['Lude] AEG hein euf, gyaaaa uh uh ah, gye naowenyeeehuh. AEG hein euf, gyaaaa uh uh ah, gyuh nyi NAO seddedum. AEG hein euf, gyah, ah, JEF, giaoaioseoiiiiinaaiio - Appelez le 911 anois! BWUY YOH, GWEEEH nyen Nyun nyon, GWEEEH nyen Nyun nyon, NYIOAM, BWUY YOH, GWOH Nyeh Nyeh Nyeh, GWOOOOP GUHWEEEE-yooooo, GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee NYIOAM, GWEE GWOOOOHOOH non non non, gwish Gwash, niaoom unna niais glúine. BWUY YOH. GWEEEH nyen Nyun nyon, GWEEEH nyen Nyun nyon, NYIOAM. BWUY YOH. GWOH Nyeh Nyeh Nyeh, GWOOOOP GUHWEEEE-yooooo. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee NYIOAM. GWEE GWOOOOHOOH non non non, gwoh shehnaaahhh. BWUY YOH. Bwohhhh widdle da widdle dhéanamh woodley widdledy wawww weeeeh. Gritchlew, WEUUUUW, GWAAH GWOOH GRAW GRIH GRIH GRIH GREUUUUW. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee REHHH sheww. (A dhéanann Bwohhhh widdle da widdle woodley widdledy wawww.) Geh geh geh GUHWEEEE EH non non non, gwish Gwash, tú Gah euh Jah! BWUY YOH. Bwohhhh widdle da widdle dhéanamh woodley widdledy wawww weeeeh. Gritchlew, WEUUUUW, GWAAH GWOOH GRAW GRIH GRIH GRIH GREUUUUW. GWEEE nyee nyee nyee nyee nyee nyee nyee nyee nyee REHHH sheww. (A dhéanann Bwohhhh widdle da widdle woodley widdledy wawww) Geh geh geh GUHWEEEE EH non non non, gwish Gwash, tú Gah euh Jah! AEG hein euf, gyaaaa uh uh ah, gye gye gye gyeeeeuw. AEG hein euf, gyaaaa uh uh ah, gyuh Nyi Nyi nyi nyiiii nyao ni ni ni. AEG hein euf, gyah, ah, JEF, yaaiooiiiiinaaiiooneueuaodeh. AEG hein euf, gyaaaa uh uh ah, gye naowenyeeehuh. AEG hein euf, gyaaaa uh uh ah, gyuh nyi NAO seddedum. AEG hein euf, gyah, ah, JEF, giaoaiosoiiiiinaaiiooneueuayewnudeh. [Outro] http://www.azlyrics.com/lyrics/skrillex/firstoftheyearequinox.html

[yonoise]

An early entry candidate for the NBA Draft 2013. The Big Easy Player of the Year and a First Team AP All-American as a sophomore. Helped lead Georgetown to No. 2 seed in the NCAA Tournament and a share of the Big East Regular Season Championship. A finalist for numerous national player of the year honors. Led the Hoyas in scoring and rebounding with 16.2 points and 7.5 rebounds per game. Paced the team in steals (1.8 spg), was second in blocked shots (0.9 bpg) and ranked third in assists (2.7 apg). Selected as a John R. Wooden All-American and a finalist for the Wooden Award and the Naismith Trophy, recognizing the top player in the country. The only unanimous selection to the All-Big East Conference First Team.

[foreverswiftly]

Seriously, I couldn’t believe I got to be a part of the experience. And I just tried to work as hard as I could and just throw myself into that environment as much as I possibly could and it was really long hours and it was a lot of preparation and getting into character and all that. But it was one of the most amazing experiences of my life. Honestly. I learned so much. It’s crazy how educational just getting into a situation and doing it [is].You learn so much more, because I have taken acting classes and read as much as I possibly can on it and done theater before all this started, [but] you learn more by actually doing it than you could ever learn in preparation. What I go through is going to be the story that I tell. I think lyrically I always try to tell my fans exactly what’s happened to me in the last two years and that’s thing they can expect.”

Taylor Swift on The Giver (x)

[roxannamusic-blog]

Thank you Classicalite!

"In speech alone, Roxanna's voice is a clear, confident one. She phrases answers--lithe and limber, with excellent intonation--like her best musical lines. Her voice draws you in with equal parts information and compassion."  Thank-you Classicalite!  #RoXannaMusic #CloseYourEyes #Classicalite  http://bit.ly/1hKtbOK