Gregorio Sciltian - The Corner of the Studio (1963)

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Gregorio Sciltian - The Corner of the Studio (1963)
The New Decorating Book, 1997
Self-portrait in a convex mirror
The streets of Rome - Via Virginia Woolf. Brutalist wall with a convex mirror. Leica R5 with 50 mm Summilux on Rollei Retro 80S black and white film.
La Bella Mano
Artist: Dante Gabriel Rossetti (British, 1828–1882)
Date: 1875
Medium: Oil on canvas
Collection: Delaware Art Museum, Wilmington, Delaware, United States
Description
As poet and painter Rossetti often worked simultaneously on the same subject in both genres, each complimenting the other. The two stanzas which appear on the frame are in Italian, a language in which Rossetti was fluent from an early age.
As in many of Rossetti’s late works, the composition is lacking in narrative. Instead it is an image of the personification of love - a Venus assisted by her winged attendants. The canvas is rich in details all contributing to the theme of love - both spiritual and earthly - as represented in the central figure. An abundance of symbols reinforce the theme, including the scallop shell, recalling the sea-birth of Venus. The effect of a halo is created by the convex mirror hanging behind the main figure's head, and revealing the bedroom beyond, suggesting a more earthly passion.
Flatballs by Daisuke Samejima are 170 mm spherical canvases on which he paints streets, buildings, bridges, homes and more in a continuous manner.
The Japanese artist renders exterior scenes in acrylic paint on globes of resin as if you are viewing them in a convex mirror.
Jumy-M Convex Mirror / いろいろ注意が必要だ