#cphdox

[faretheeoscar]

Oscar Isaac and Elvira Lind photographed by Sophus Wolf for Soundvenue.

[timkellyfilm]

Six fearless new documentaries you need to see

We checked out the CPH:DOX film festival in Copenhagen that had a strand curated by Anohni – here are our essential picks

Brexitannia was put in Dazed’s ‘must see’ films of CPH:DOX 2017! 

[faretheeoscar]

Oscar Isaac and Elvira Lind at the ‘KING HAMLET’ Q&A/screening tonight in Copenhagen. ❤️

📸: empirebio / Instagram

[faretheeoscar]

Oscar Isaac and Elvira Lind at Day 2 of King Hamlet screenings at CPH:DOX in Copenhagen.

[timkellyfilm]

Brexitannia Trailer

[sgcruz21-blog]

CPH:DOX 2026: World Premiere of Faroese Documentary ‘Birita’

Búi Dam and Birita Mohr in BIRITA. Photo: Franklin Symphor Henriksen, Outlier Project CPH:DOX 2026: The World Premiere of ‘Birita’ The Copenhagen International Documentary Film Festival…

Can the stage bring back what memory takes away? 🎭

This March, at CPH:DOX, is the world premiere of BIRITA. In the heart of the Faroe Islands, a family of artists attempts the impossible: staging Shakespeare’s King Lear with their matriarch, celebrated actress Birita Mohr, in the lead role as she lives with Alzheimer’s.

It’s a story of legacy, a son’s devotion, and the enduring power of the spotlight. 🌟

📍 World Premiere: Sunday, March 15 @ 16:15 (Dagmar 2) 📅 Other Screenings: March 17 & 18

[photomattjames]

In a recent post, I delved into the transformative power of AI in photo editing. Reflecting on a recent challenge, I found myself grappling with grainy images due to heightened ISO settings in a dimly lit environment. Learning from this experience, I meticulously selected my camera gear for my next assignment: capturing the ambiance of a cocktail event at a CPH:DOX after-party. This marked my second venture with Sandbox Films, a New York-based client, and I was determined to showcase consistent quality beyond the initial success of last year. Departing from my usual lens choices, I opted for a dynamic duo: a 35mm and an 85mm, respectively. Now, you might be thinking, "Switching lenses—what's the big deal?" But believe me, it made all the difference. Armed with these new tools, I approached the event with renewed creativity and style. Colours, shapes and objects took on a whole new perspective, and I felt a genuine spark of revitalised inspiration. Additionally, given the familiar dim lighting, I aimed to minimise post-processing time spent on grain correction, prioritising capturing crisp, captivating shots in the moment. And the ironic thing? I was planning on selling my 35mm, as I never use it! I think I might hang on to it a little longer now. A massive thanks and congratulations to Jessica Harrop, Sam Lazar Riviello and the rest of the team at Simons Foundation. Looking forward to next year's event already :-)