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[sayeshasethi]

[sayeshasonali]

Sayesha: The turbans of udaipur There is a turban room in bagod ki haveli Its the world biggest exibition of turbans As Colorful turbans hold a vital place in the culture of Rajasthan along with its diversity in clothing. Turbans have remained an important symbol of regional diversity of the state. Not only this, it also symbolizes the occasions as for every occasion different types of turbans are worn by the people.

Taking inspiration from these Turbans, an artist from Baroda has made the world’s biggest turban which is preserved now days by the west zone culture department and placed at Bagore Ki Haveli of Old city Udaipur.

The turban was made by the head of Dramatics department of Baroda University & it is now waiting to be booked its name in Guinness book of World Records to be the world’s biggest turban.

it took 15 days for the artist of Baroda,La Chawla to make the turban and he used around 152 meter of cloth for making it, weighing around 30 kgs. The special feature of this turban is that it represents the turbans of the farmers wore by 3 different states. From its front it represents Rajasthan, & from its sides it represents a Gujarat and Madhya Pradesh.

[sayeshasonali]

Sayesha : This method was earlier also known as korpatti-ka-kaam. This decorative technique is usually worked on fabrics like satin, chiffon or silk fabric. The fabric is stretched tightly on a wooden frame before it is embroidered and the craftsman sits on the floor. The designs are drawn using zinc powder on the fabric then , Danka pieces are spread on the fabric as required by the design. The danka is pierced with a sharp needle, bringing out the thread through the fabric. About three to five strands of kasab (gold or silver wire) are kept over each danka and couched down along its edges. It is secured with eight stitches in the shape of a knot( it can be exceeded to 10 sometimes ). Two stitches go into the back and the other two at each corner and two on the front. About three to five strands of 'kasab' (gold or silver wire) are placed over each danka along its edges. It is secured with eight stitches in the shape of a knot - two at the back, one in each corner and two in the front.The most popular motifs used in danka work are inspired by nature - the sun, the moon as well as the paisley design in a stylised form. Round and flat metal braids about one quarter of a centimetre in width that are used to highlight the design. Additional stitches used include the chain stitch, satin stitch for the design filling, while stem and running stitches are for lighter work.

[sayeshasonali]

Sayesha : Danke ka kaam is a specialty in terms of metal embroidery. This craft is particularly distinguished by the use of a small, metallic square around which the zardozi work is usually done. The danka is a small square plate, which is variable in size but is not bigger than 1.5 cm. Although the danka was originally made from pure gold, silver plated with gold, is usually used these days. Danka is made of well-finished, polished thin silver sheets of 98% purity are electroplated with gold in strips of 30 cm. by 2.5 cm -as told by them These are then washed in plain water and polished once again with excellent granular sand. The strip is then cut into 1.25 cm. squares. The cost of the ‘Danke-ka-kaam’ is calculated according to its weight. The technique of doing ‘danke-ka-kaam’ is not an easy task, that is why it is said as a ‘rare piece of art’. Danke Ka kaam, is an unusual and unique textile surface ornamentation technique that is practised in Udaipur, in the Mewar region of Rajasthan. Using small diamond shaped concave relief formed cut pieces of sheet metals that are hand-stitched on to fabrics with zari yarn, it is further complemented by Zardozi embroidery that is worked around it. Earlier only real gold, and silver sheet metal was used to make the Danka, while gold and siver-plated metals are now in use. Embroidered on luxurious textiles like silk and velvet the embroidery has an opulent four-D look with the added cache of the concave shape glinting when it catches the light. Danka builds up motifs like paisleys, flowers and peacocks, borders, vines and scrolls to create sumptuous textile garments. A languishing craft practice Danka embroidery is practiced only by the *Bohra Muslim *community GM motiwala bohra is one younger generation still working on this craft practiced by him from 80 years . The community themselves do not throw any clear light on the origins of this craft and as to whether it was already being practiced at that time or before or if it travelled to the subcontinent during their migration here cannot be clearly established because of lack of any written or oral history about the craft.

[sayeshasonali]

Sayesha : ‘Danke-ka-kaam’ is a kind of metal embroidery in Rajasthan that is a decorative feature in Rajasthani fabrics. It’s a 400-year old embroidery craft in Udaipur, Rajasthan. It is done popularly on silk satin and velvet cloth ( 600 to 625 meters ) Its is not directly touched to skin *astar* is used under it of cotton voile , so that the embroidery does not stretch and is aligned to the fabriv Designs made from zari thread are know as kasaab or kalabood Odhni - dupatta is know as maqzi thus it takes three days for an artisan to create it This is a customised work done only on order Mostly worn by rajputs .

[sayeshasonali]

sayesha:

The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). complex, after entering through the main Tripolia (triple sided gates .

Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.

The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style

the unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass.(from belgium)-newly replaced in 2009 

[sayeshasonali]

Sayesha :I tell you the hills bleed. You cut open the husk of a coconut, look for warm kernels inside. In the palm of your hand, you hold the teeth you lost as a child. You ask the mountain if it misses home. You and I are looking at the waves, wondering where to find diamonds, where to find Working monsoon palace.The coral winks at us from down below; The Monsoon Palace, also known as the Sajjan Garh Palace, is a hilltop palatial residence in the city of Udaipur, Rajasthan in India, overlooking the Fateh Sagar Lake. It is named as Sajjangarh after Maharana Sajjan Singh of the Mewar Dynasty, . The palace offers a panoramic view of the city's lakes, palaces and surrounding countryside. It was built basically to watch the monsoon clouds; hence, appropriately, it is popularly known as Monsoon Palace. It is said that the Maharana built it at the top of the hill to get a view of his ancestral home of Chittaurgarh. Previously owned by the Mewar royal family, it is now under the control of the Forest Department of the Government of Rajasthan and has been opened to the public recently. The palace provides a beautiful view of the sunset. High in the Aravalli Hills, just outside Udaipur, the Palace is illuminated in the evenings, giving a glow of golden orange (see image in the infobox).The palace was used in the 1983 James Bond film Octopussy as the residence of Kamal Khan, an exiled Afghan prince.