Ya no estoy aquí, another take on immigrant stories.
(This will have SPOILERS for Ya no estoy aqui, I recommend watching it first. It is very touching and heavy tale of belonging and loneliness)
Ulises takes is the leader of the cumbia loving group Terkos in Monterrey, Mexico. But when he gets involve on a gang related accident he has to leave his home so his family and him can be safe, taking up a new home in the distant city of New York.
This piece of media was one of the best made in Mexico so far. Mexico has been growing in the production and creation of different movies which resonate with a diverse of groups. This time it was the turn of one of the most negated states and music genre ever.
Ya no estoy aqui has a well done balance in the writing, expressing and pointing out different subjects that plague the world; from immigration to corruption, from cultural sub groups to violent gangs and, in the background, the injustices a society faces when they are being neglected by the government or the violence has grown into an out of control normality.
The point of view we follow is from Ulises how he works around and moves to survive, but we can also see how the people around him reacts like the ones he left behind in Monterrey, how their lives have changed so much due to him being away and how the situation in his city is changing.
We can also see the point of view of other people who are in the same situation as Ulises, although they’re not face with as much difficulty as him due to knowing the language.
It explores how the mindset changes, how the characters experience life in the new places and how those places change them. It brings up the hardships of being an immigrant and how awfully homesick they feel, and yet we can also see how those people can act so harshly between each other, respectively how 3 of the tertiary characters treated Ulises just for the way he looked. It’s very clear they are from Mexico as well, it shows how people in general can treat each other as bad if not worse than people from a different country.
Ulises is a very well made character, it shows he is a whole person with feelings, hardships and desires. The actor, Juan Daniel García Treviño, makes a great job by showing the difference between him living in his home, being happy, bright and engaging, and living in big city, where he begins to act isolated, serious and having little to nothing of humor. The change of tendencies and attitudes can be quite hard, since you’re told you need to practically change the character. You need to change who you are. That’s exactly what happens to the character and Juan Daniel does is amazingly.
The idea of being ripped away from your home, your family, your culture and being thrown into the shark tank that is, not only other country, but the most violent and cynical city in the whole country (fighting for the 1st place is Los Angeles and Texas in my inexpert opinion).
There were some odd acting moments, mostly during the group parts where Ulises is with the Terkos. And curiously, it’s not the dancing parts. It’s their interactions at times, they are a bit stiff and awkward. There are other shots where they are seen laughing and playing, and those look very natural. Maybe those shots were the first one they were doing.
The director Fernando Frias understands the importance of belonging somewhere. The whole film is about that and you can perceive it everywhere the character goes. The concept is a very important and powerful one among the sentiments of loneliness and sadness which are used as well.
Seeing the character struggle in a world that he doesn’t fit in, that he doesn’t feel its home is the main and most important thing everyone can relate to. Even if you aren’t an immigrant, you can understand how awful feeling alone and feeling an absence or emptiness in your being can feel. We can sympathize with that and maybe get a more understanding view of the people surrounding us. We only want to be understood, we only want to be seen as part of something or somewhere where one can be themselves without being a mocking or something.
Amazing shots by Damian Garcia. Another work I’ve seen from his is La vida Precoz y Breve de Sabina Rivas. Between this two you can see he tends to work with darkness, not all the time just very commonly. And he does it VERY well. People have a bad habit of underexposing their scenes, to the point of ABSOLUTE DARKNESS (I’m looking at you, fucking USA horror movies that only woRK ON FUCKING BLUES AND GRAY TONES AS WELL MY GO-). Mr. Garcia does it perfectly and balanced, you can see the silouttes in the dark, you can see the movement.
The shots are very active, by this I mean they are sequence shots. Sequence shots follow the character around, there are also zoom outs and zoom ins mostly used in the flashbacks, which makes it have a more nostalgic feeling. There’s a specific shot where Ulises is dancing with los Terkos and the camera zooms out to make the shot a perfect square, showing them in the center while the rest of the screen is in almost pitch black. That scene is perfect, it doesn’t need a slow mo, it doesn’t need music, and it only needs the energy, the laughs, and the music coming from the radio to give us what Ulises want.
The colors are balanced, not oversaturated but still bright enough. When it comes to viewing cities and towns, photographers tend to use a very cliché color scheme. For a city like New York it’s always kind of red, grey and blue tones that can also look very opaque, meanwhile for Mexican towns, they always use the yellowish, orange tones. One can get very tired of those you know? Which is why I’m very happy to observe this photography specially coming from a Mexican. There are very amazing photographers and Mr. Garcia will go even bigger soon with his amazing work.
Awesome work, capturing the essence of what the parties and dance spots sound and feel like is a complex thing to do. Not many manage to capture something that isn’t describe as only noise. It is an experience, it’s something you feel not only hear. The music is a very important part in this movie so the way it is listened from radios, the transition from being in the plane of the character and then to a type of score, while also giving us the personal taste of Ulises is a well done edited piece.
Yuri Laguna has done a lot of works, I don’t personally know many but I did get a very good experience with this movies sound, music and effects. The sound effects sounded like something for the movie and not taken from somewhere else and sounded exactly where they are intended to do so. From the foot-steps to the mumbles between characters when they are inside a store.
I really like the scene where Ulises is at a store and he is about to buy a speaker that reminds him of his home. You can hear the boss and Ulises talking and making hand signs but you can’t understand what they are saying. It’s a little detail I really enjoy. I will have to keep an open ear for any other work of Mr. Laguna
Make up, Art and Costume design
I don’t even know where to start. I’m very sure most of the places they went to are the real ones, so scouting was done very, very well and amazing to get those lovely and breathtaking shots from a high place. But the makeup?? The clothes? THE SPACES? They entire art department did so well! There are so many details that can tell you about the characters. This is what is called subtle storytelling. The scenes that stick a lot to me were the ones that took place in the home of one of Ulises friends. The whole room is dark, and her and her family are watching TV. They have anguish in their faces, and when the shot is flipped to see their backs, you can see 2 things: her phone ringing, because Ulises is trying to contact her, and the TV. Now the one thing that could caught your eye would be the phone BUT the TV has more information for you, which is how Monterrey is having not only an increase of gangs but also an increase of poverty and police violence.
The clothes are very distinguish, I don’t know much about many sub-groups. I didn’t heard of Kolombia before this movie so this is a nice look into the culture that has been popular over there. The main actor is actually from the state so maybe the costume design team got a little info from him and obviously do their own investigation. The clothing’s pop a lot, mostly due to the style (very big and long shirts and pant, and the signature white shoes of los Terkos). The hairstyle is what you would get at first sight though, it being so obviously made by the own character.
In our own modism: Se la rifaron.
I have seen very detailed works, and this one didn’t go underappreciated since the people who work in it got a nomination for an Ariel (the most prestigious Mexican film prize).
Custom design: Magdalena de la Riva y Gabriela Fernández
Make up: María Elena López y Itzel Peña García
Art design: Taísa Malouf Rodrigues y Gino Fortebuono
I didn’t found more info about this people but I’m sure they will go far if they keep up their amazing work.
I’m pretty sure the final product is what the director intended. It has clean transitions and well done jump cuts, although I think they used a lot of black ins I think the rest is fine. You don’t need to do super specific or out of the box editing when it comes to a solid story that is intended to be realistic. The pace is good and going back and forward between the flashbacks and the present gives you a more dynamic story. There are some confusing points when it comes to the dream sequences, but I think that’s mostly the point of those. The character would get into points he can’t differentiate what’s real and what’s fake. His desires are interfering with his present to the point of confusion.
Editor: Yibrán Asaud and Fernando Frias.
Immigration is an overused theme, a very well-known subject and a problem that has been happening for years. Problem that hasn’t been fix, if countries were at least trying to fix the problems there wouldn’t have to be so many people putting their lives in danger to travel to a safer place. Then again, people have the power and sometimes power corrupts the person (which is why I think a lot of gangs exist too). Even though it is an overused them, many writers and directors have tried to make compelling stories and characters so the subject is not only forgotten but also inspiring for the people to help others, to sympathize and to understand this people.
Ulises is not a 100% good person, nor a bad person, he is a kid who just wants to spend time with his friends and have fun while doing listening to something he loves and feels a connection with.
Another story of immigration that I really enjoy is Guten Tag, Ramon but that story is way to idealistic, while Ya no estoy aqui is more realistic. There’s also La jaula de Oro but that has a very, very dark ending, realistic non the less but still with a more pessimistic and hopeless ending. This movie kind of stands in a middle ground, where the character just comes back to a changed home.
I’ve read some people saying this movie doesn’t have a resolution, but I think that’s the point. The resolution is that life doesn’t stop. A movie with an anticlimactic ending is not a bad movie (at least not all the time), it just makes you think.
Ulises returns to his home which has changed. He didn’t had the opportunity to see it change and change with it. He will have to start from 0, it’s like going to New York all over again. Life is about change and sometimes that change can come from us or others. Things will impact you one way or another, and sometimes life goes on without you.
You have to decide what to do when you are faced with harshness. Although this movie is mostly about belonging somewhere, the ending teaches you about decisions and choosing.
Ulises chooses to return home, he chooses home even when his friends have move on from him, even if his family has turned their back on him, he chooses to come back because he missed it there and not all is bad. There’s a lot of bad going, but at least he is home now. At least he is here. (Al menos el está aquí)
