3. favorite POV (first/second/third/etc)
i like third, mostly. i am a big fan of writing that doesn’t make itself known unless you’re looking for it (because i am not good enough yet to write as though the writing is the means and the end, a la jeanette winterson, though i hope one day to be), and third is the easiest for that - third in immediate past tense, you know, the standard default narrative voice in english, and i prefer it to be either completely objective (hemingway does this a lot) or subjective (like joyce’s “the dead”), rather than omniscient. i don’t like, you see, being told everything. i can like first person, when it is done very, very well, but the writer has to have an excellent grasp of voice for it to work (for this reason i sometimes find it fun to experiment in, as imitating voices is one of my favourite things to do, but i still prefer third). i like, especially, first person narration by someone outside - like the book thief, or some classic detective novels. second person infuriates me, and is almost always used to terrible effect. calvino and duras are the only people i’ve seen manage to make it work, and the sad fact of the matter is most of us are not calvino or duras, nor ever will be.
this is all to say: i think third person is the best, and i am especially fond of free indirect discourse, particularly when it is subtle and tricksy and you have to stop and think about whose affect is being transmitted to you. i can also, because, i am at the end of the day modernist trash, be fond of stream-of-consciousness, although i find it incredibly difficult to write. and the honest, short answer to this question is that my very favourite style of narration to write and to read is in fact none of the above, but rather epistolary.
4. what are some themes you love writing about?
growing up; everyday magic; magic made from the meaning we imbue upon things; the weight of history; the importance of stories; learning how to love, love as action and work and striving; found families and fierce friendships; different kinds of love; communities & building & upholding them; academia; mysteries come to light; ghosts & hauntings; time; the exuberance and beauty of life; choices and how hard and scary they are and how badly we want them to be meaningful; the absurdity of the world (but in a fond, this-is-beautiful way); telling stories and how to do so and i am doing so - metafictionality, i love it.
5. what inspires you to write?
folklore/fairy tales/myth, history, stories that i love, a specific turn of phrase, the conjunction of different and seemingly separate ideas, the need to figure out how to say something, the need to figure out how i feel about something, the need, quite frankly, to write. the words pour out, and sometimes they add up in to something and sometimes they don’t, but they’re still there under the skin and i itch when i don’t let them out.