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seen from Serbia
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seen from United States
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seen from United States
seen from United States

seen from India
seen from United States
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seen from Italy
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seen from Sweden
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Found a name for my cry babe oc ~~ her name is Shāngxīn (Shung-zeen), which means “sad” in Chinese.
but we’re also calling her cry babe
CRY BABE
I don’t often get to catch a new band when they first start, but Cry Babe is a very new band, who only just put out their first two songs under this moniker. “Picard”, possibly named for the short sample from “Star Trek” that precedes it, in which Capt. Picard protests “What am I supposed to just sit and wait?!”, is a love song addressed to someone who’s gone and maybe not coming back. “How can I be my own woman?” sings Anaïs Genevieve, who also plays guitar and Omnichord in the band, unsure who she is alone, and unable to do anything but wait or her lover’s return (and watch “Star Trek” in the meantime). Her voice is seriously powerful and dripping with drama—not the kind of drama that people mean when they say “I’m sick of people’s drama”, but like, but something more like opera or a musical. Genevieve's voice is the band's not-at-all-secret weapon. Nobody I know of in town, much less in national indie rock, sings like this. She pretty much grabs you and doesn't let go. In fact, because I was late to a show, I have, so far, only saw about 30 seconds of Cry Babe live, and Anaïs' voice immediately made me go "what the fuck?!" and them "Wait, no, more??!" but then my own band had to play. You could call her singing melodramatic in a bad way but I dunno, isn't that what emotions are sometimes? So if you think that maybe you have a problem with you self buddy. She’s counterposed by the fuzzy bass (I think that’s bass anyway) of Maddie Putney, adding another strong melodic element on an instrument that usually sits in the back. It all adds up to a brownie-and-ice-cream dessert of longing, breathing sincerity into just about the oldest sort of song one can imagine. “Glasses” is an even heavier, less sweet, more smoldering song, almost like Cry Babe’s version of the blues. Genevieve sounds almost menacing, really letting her voice go in a way few artists in Portland even seem to. She’s got an impressive ranges, soaring into painful cries and lunging into the depths. The band rambles along in waltz time like with a forceful heft that reminds me of the neglected Pavement gem “Kentucky Cocktail”. But that’s just how it should be—there’s something always a bit volatile here. It’s not about settled feelings—what feelings are settled anyway? Finally, dream pop is starting to have nightmares! Look out for Cry Babe, they’ll probably be nigh-unavoidable soon.
huh, I would like to make so many gifs from epilogue dvd, but I burst in tears every time I see it.
You seem to replace Your brain with your heart, You take things so hard And then you fall apart.
Cry Baby//Melanie Martinez