Photographie©FrançoiseLarouge-Mai2023

seen from Australia

seen from Belarus
seen from Azerbaijan

seen from United States
seen from Brazil
seen from Germany

seen from Azerbaijan
seen from United States
seen from United States
seen from Bulgaria
seen from China

seen from Russia

seen from Saudi Arabia
seen from China
seen from India

seen from United Kingdom

seen from Bulgaria

seen from United States
seen from Belarus

seen from United Kingdom
Photographie©FrançoiseLarouge-Mai2023
VL Lecture--03/04
James Gardener
24 yrs old when he opened his own gallery in Rome.
Whilst at uni he didn't really paint, and he just fell into textiles.
People think that galleries are static. This is wrong. People look passively in galleries, they don't truly look at the artworks.
Network with other galleries and artists.
Curating a show is a personal journey.
There is a quota of artists that they work with.
Attend art fairs- sell work, and network
Take risks with art.
Review
He was interesting to listen to, knowing what he was talking about, the exhibitions and artists they worked with.
He clearly likes what he is doing, working in this way, with these people.
He only talks about the artists who exhibited in his gallery, which I found interesting and fun.
PT . a Primavera já chegou ao mundo de @crisloureiroblogs 💛 ilustração de @aoutramafalda 😊 EN . Spring has arrived at Cris Loureiro blogs world 💛 Illustration by a outra mafalda #ilustração #primavera #portugueseartist #spring #illustration #crisloureiroblogs #lifestyleblogger #maker #writer #blogger #crafter #curater
Our Nasty Women RI opening went great! Thank you everyone :) #art#curater#heragallery#nastywomenri#exhibit @nastywomenexhibition
One of my images for #Acne's new project #Curater. Here with #weegee's Piggy Marilyn. Read about it on #creativereview
Worth Stealing | May 28, 2014
I couldn't resist using the above image because it's the stairs from the Rocky movies but with Salvidor Dali's face on it. That's perfection.
I love museums. I've worked for several museums in varying ways, creative work, educational work, research and evaluation. Museums really were my first and best access point to information, culture, ideas that were different from what I was encountering at school or at home. They provided, for the young me, a place where it was a little less uncool to want to learn about something.
Now as a parent I also get the experience of seeing my daughter engage with museum exhibits. She notices and retains things in ways that are wildly different than how I'm experiencing the same things. And a museum exhibit provides a great way to have a conversation and explore the world of ideas. I also just like watching random people go through museum exhibits and components to see them become truly interested in something and also sometimes see them do what seems to be an impersonation of what a person looks like while being smart in a museum.
Having worked in museums and as I've gotten a chunk of years producing my own live shows and events I often find myself now thinking not about the science, history, or art being showcased in a museum but rather the people who put the exhibits together. Someone, and there's usually a team but at the end of the day one person typically ends up calling the shots, decided what components would make up an exhibit and how those components would be laid out in the space available. I'm talking about the museum curator.
The museum curator has to always consider the integrity of the thing they're making an exhibit about and always consider the human experience of engaging with that content. The decisions curators make have a tremendous impact on how information is experienced. Curators have to be genuinely interested in the exhibit they're working on, even if that interest is fleeting. But they also have to be able to move on to the next thing.
The thing is, though, is that we are all becoming more and more our own curators. We get to pick what information we take in and how we take it in. The idea that I think we should all steal is to approach our consumption of information more like professional curators. Consider the information before you as it stands and think about how you could best experience it. And make conscientious choices about the experiences you're creating for yourself. Does that sound complicated? Don't worry.
I check Wiki How and there's a page called "How to Become a Museum Curator." Give it a quick read and start putting together your own experiences.
MPme: Winner of Music Discovery, Recommendation & Creation - Midem 2012