Jul 5, 2022
Cash AOC (2019)
generative photograph from “Nascent Space”
Kevin Abosch
seen from Kazakhstan
seen from United States
seen from China
seen from Slovakia
seen from United Kingdom
seen from Canada
seen from United States
seen from United States
seen from China
seen from Canada
seen from United States
seen from United States
seen from China
seen from United States
seen from Italy
seen from China
seen from United States
seen from United States
seen from China
seen from United States
Cash AOC (2019)
generative photograph from “Nascent Space”
Kevin Abosch
[[ ]]The story goes like this: Earth is captured by a technocapital singularity as renaissance rationalitization and oceanic navigation lock into commoditization take-off. Logistically accelerating techno-economic interactivity crumbles social order in auto-sophisticating machine runaway. As markets learn to manufacture intelligence, politics modernizes, upgrades paranoia, and tries to get a grip.
The body count climbs through a series of globewars. Emergent Planetary Commercium trashes the Holy Roman Empire, the Napoleonic Continental System, the Second and Third Reich, and the Soviet International, cranking-up world disorder through compressing phases. Deregulation and the state arms-race each other into cyberspace.
By the time soft-engineering slithers out of its box into yours, human security is lurching into crisis. Cloning, lateral genodata transfer, transversal replication, and cyberotics, flood in amongst a relapse onto bacterial sex.
Neo-China arrives from the future.
Hypersynthetic drugs click into digital voodoo.
Retro-disease.
Nanospasm.
Nick Land - Meltdown
The Gun-Printing Kids And Energy Drinks (2022)
SYNTHETIC OPTIMISM
a solo exhibition of paintings by Kevin Abosch at Galerie Nagel Draxler in Berlin