Since the initiates of mystery cults were forbidden to discuss the contents of their rites, our most important clues concerning the rites of Attis and Cybele must come from the pagan poets on one end of the spectrum, and the invectives of their chief opponents, the Christian apologists and church fathers on the other end. Arnobius of Sicca makes it very clear that wine was forbidden to initiates of Attis’ mysteries, for “it is forbidden for those polluted with wine to enter a sanctuary because it betrayed his silence [concerning Attis’ act of adultery against the Goddess],” nevertheless, a type of frenzied intoxication is an undisputed fact among the rituals of the Divine Bridegroom, and I am highly averse to the idea that this was all spontaneously achieved. If wine was forbidden for use within the sanctuaries of Attis, then what intoxicants may have been available as sacrament for whipping Cybele’s devotees into frenzy? Laying bare the “rites the Phrygians perform in honour of Attis and Cybele and the Corybantes,” Clement makes clear to his readers the use of a “drink of gall” (πόμα χολής). It could be postulated that the sacrament could be any entheogenic, hallucinogenic, intoxicating, or narcotic substance, nevertheless, I propose the rites of the Goddess’ ‘drink of gall’ was, at least in the formative phases of its consumption as ritual, a concoction of pressed Amanita mushrooms which is both deliriant and hallucinogenic.
Initiates used the mysteries as a process of self-dissolution and re-identification with the mythical lover of the Phrygian Mother whom she drove into madness, self-mutilation, and death. Clement is often quoted for his report on how initiates of the Phrygian mysteries were required to repeat the lines: “I have eaten from the drum (τυμπάνου), I have drunk from the cymbal (κυμβάλου), I have carried the sacred vessels, I have plunged beneath the curtain.” The drum and the cymbal symbolized the importance of trance music, the sacred vessels implied the sacrament, and the bridal chamber (παστός) implied the marriage bed of the Goddess. There is a confirmed Indo-European ‘culture-word relationship’ in the Hittite vessel name ‘kukupalla’ and the Greek ‘κύπελλον’ (goblet) and ‘κύμβαλον’ (cymbal), and the Sanskrit ‘kimpalá’ (a musical instrument) indicating an ancient association between such types of cult vessels and percussive instruments. The marriage bed, however, might be interpreted as the ecstatic state itself; what rendered this marriage ‘sacred’ was the very risk of dying these initiates exposed themselves to in the deliberate over-consumption of a toxic hallucinogen, the god’s own flesh and blood.