#dance resume

[krimmip-blog]

Kim Ip Choreography Resume

CHOREOGRAPHY 

2016

x(xx) Music Video Choreography for Vain Hein. San Francisco, CA. Choreography: self. Collaborators: Nick Navarro/Pseuda and Viktor Belmont.  

Slick Babble Dance Company Home Season. Berkeley, CA. Guest Solo. Choreography: self. 

RAW Artist Residency Performances at SAFEhouse Arts. San Francisco, CA. Choreography: self. Collaborators: Nick Navarro/Pseuda, Sophia Colmenarez, Rose Huey.

Wax Poets Home Season Show at Joe Goode Annex. San Francisco, CA. Featured Solo. Choreography: self.

2015

Swagger Like Us Halloween Party at B4bel4b. Oakland, CA. “I’m Your Doll”. Collaboration with Nick Navarro/Pseuda. 

Folsom St. Fair. San Francisco, CA. Collaboration with Vain Hein’s musical set. Choreography: self. Dance Collaborators: Tiffany Tonel, Alexandra Maricich.

Milk Bar #37 (closing show). Oakland, CA. “Body H8″.  Performance collaboration with Nick Navarro/Pseuda. 

Redwood Regional Park: Art and Nature Festival. Oakland, CA. “Splintered”. Improv Collaboration with musicians, Dan Gottwald and Rachel Austin.

Luggage Store Gallery: Outsound Festival. San Francisco, CA. Collaboration with vocal improviser, Rachel Austin. Improvised Dance.

95 Rituals at City Hall. San Francisco, CA. Collaboration with InkBoat Company. 95 Rituals, restaged scores for Anna Halprin. 

Brava Theatre: Switchboard Festival. San Francisco, CA. Collaboration with musician, Bill Baird and ensemble. Improvised set with Kinect Camera.

Meridian Gallery hosted by Canessa Gallery. San Francisco, CA. Collaboration with musicians, Benjamin Ethan Tinker and Crystal Pascucci. Improvised electronic music with prerecorded electronic music, layered with improvised with live cello.

Luggage Store Gallery: Outsound Festival. San Francisco, CA. Collaboration with musician and improviser, David Slusser. Tenor Saxophone with dance.

2014

The Ridge Space: Chorus: A Melodrama. Oakland, CA. Collaboration with visual/sound artist, Michael Mersereau and Dancer, Heather Stockton. Four hour piece with structured choreography and improvised movement.

Trolley Dances. San Francisco, CA. Collaboration with InkBoat Company. 

Mills College Lisser Theatre: 2014 Senior Thesis Performance. Oakland, CA. Spring Semester Rehearsal Process with choreographer: Thea Anderson. Spring Semester Rehearsal Process culminating in two pieces of my own choreography: a group piece, “How to Be a Wind-Up Car While Having Sandy Beach Toes”, and a solo piece, “Drinking Down Appalachia Spring”. Mills College Littlefield Concert Hall. Oakland, CA.

“Sources and Inventions” finals showcase. Collaboration with Computer Music Class culminating in final collaboration with Sharmi Basu. Fusion of modern dance, Kagura Dance, and Computer Music. Professor: Shinichi Iova-Koga/Chris Brown.

ACDFA: Arizona State University. Tempe, Arizona. Presented own choreography titled, “Victory Dance”. 

Luggage Store Gallery: Outsound Festival. San Francisco, CA. Collaboration with musician, Joshua Marshall and dancer, Sophia Colmenarez. Improvised set.

[puppy-in-a-jar]

also... putting together a dance resume is really really stressful and I keep just staring at my blank word document...

Also. I currently smell melons. It smells like cantaloupe or honey dew right now in my room... peculiar.

ANNNND I finished the first season of American Horror Story a few days ago and I'm so sad the second season isn't on instant queue. But we put it next in our dvd list. I miss Violet and Tate's relationship, it was really cute.

and also. I don't know how to feel about the fact that Tate highly resembles Caghain... they've both got those really big dark brown eyes. similar nose too...different mouth... haha I keep teasing Caghain about his creepy eyes even though they're one of my favorite features on him :33

[recordplayback]

Record and Playback Productions Head Shots for Dance Resumes

[flygyal]

Dance Tip #001: Resumé Format

If you are a professional dancer, model or actor one of your most important selling tools will be your resume.  If it is confusing, packed with irrelevant gigs (i.e recitals, national and regional competitions, your mom's b-day performance - uh, uh!), or full or grammatical errors, it's time to revise and revamp with these tips:

Use the 3-column format

Column 1: Title of Job

Column 2: Role played

Column 3: Network/Director/Choreographer

     2.  Include all of your contact information

Name

Email (Use a professional email address, not your nickname!)

Phone #

     3.  Keep it readable and use a simple font

     4.  Resumé should be 1-page only!

[everyoneneedssumthingtobelievein]

does anyone know how a dance resume should look

and what it should include?