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One of them just murdered in broad daylight. The others congratulated him and called him a “hero” and “good Samaritan.”
I’M WALKIN’ HERE
by Daniel Penny
There is a common expression in fashion: “When they zig, I zag.” It’s the idea that whatever is trendy should be avoided--repudiated even--with its aesthetic opposite. I’ve always been a zagger. For the past few years, with streetwear ascendent and menswear overtaken by children who seem to only be impressed with the bulbousness of one’s sneakers or the size of one’s logo--I’ve leaned hard on Anglophilia. I love fuzzy knit jumpers, waxed cotton moto jackets, and chunky English shit-kickers.
But when I moved to the United Kingdom a few months ago, I found myself wearing this gear in its natural environment, rather than the streets of Soho or Park Slope. It was weird to suddenly fit in. But more than that, my clothes were sending different signals here, signals I didn’t necessarily intend. On one of the first cool days in October, a friend I’d made at the dog park saw me in my waxed cotton jacket.
“Aren’t you the lord of the manor?” he snickered.
I was aghast. Back in New York, this jacket merely signified Englishess in an abstract way--here it had a definite class marker, a certain genteel fussiness I hadn’t anticipated. I still wore it--but now, I was beginning to notice all other guys around town who had similar jackets, the posh lifestyle it seemed to imply, and I didn’t want to be confused with them.
Stranger still, after the first few months in Cambridge, I found myself gravitating toward my most American stuff: an old college sweatshirt, a Mets baseball cap. These were things I would normally wear only while working out or running to the bodega, but now, I suddenly felt the urge to flaunt them about town. When a taxi cab lurched to a stop as I entered a crosswalk, I was tempted to slam on the hood and summon my best Dustin Hoffman impression. I’m walkin’ here!
Though I am short and like to pick fights, after the taxi incident, I realized I was less like Dustin Hoffman’s Ratso in The Midnight Cowboy, and more like the other protagonist of the film, Joe Buck. Played by an angelic John Voight, Buck is a young gigolo from Hicksville who moves to New York City and reinvents himself as a lonesome Western cowboy. In an early scene, he explains how the cowboy schtick will get him more ladies than regular hustler garb. Who wouldn’t be intrigued by the sight of a man in a buckskin jacket and a ten gallon hat walking the streets of Times Square? Of course, none of it goes to plan, and Joe Buck finds himself in increasingly degrading and lurid circumstances, used and abused by Johns and pimps, squatting in an abandoned building, and ultimately losing everything he holds dear.
Is there a lesson here? For my own sake, I hope not. But the story of Joe Buck does make me reconsider my own contrarian style impulses. Of course, I’m not saying we should all try to blend in at all costs, or worse yet, appropriate the native costumes of other cultures. But when I reach into my closet these days, I do pause to ask what I’m trying to say with my clothes. Am using a sartorial language that is intentionally foreign, just for the sake of being different? Usually, the answer is no, but sometimes it’s still yes. What can I say?
“I ain't a fo’real cowboy, but I am one hell of a stud.”
In a surprising move, President Joe Biden pardons his son, Hunter Biden, marking a significant moment for the Biden family. The pardon comes
The Rev. Al Sharpton eulogized Mr. Neely, who was choked to death earlier this month on the subway, in a case that has led to protests throu
Kid Rock is happy since he said Daniel Penny was a "hero". But don't forget Kid Rock "loves" Black people, especially DEAD ones! RIH, my brother! My empathy and sympathy for Whites who are killed by Blacks is OVER. I used to be empathetic to the loss of life regardless of color. But now that Kid Rock (who "loves" Black people)and other members of the majority seem to celebrate Black deaths (while constantly saying ALL LIVES MATTER) fuck it!
THE MAN WHO OWNED TOO MUCH
by Daniel Penny
My wife and I began to plan our move from Brooklyn to a little flat in Cambridge, UK in June of 2020. She’d gotten into a PhD in February, but then COVID made the idea of moving across the Atlantic seem like an insane proposition. By the summer, with the infection numbers, down, we decided to go through with it, which meant we only had about two months to find a new place, clear out our old one, sort our Visa paperwork, and get a pet passport for our dog.
BIG PANTS, BIG MOOD
by Daniel Penny
A few years ago, I started contemplating the idea of a big pair of pants. I’m not talking straight cut, or a little baggy--I’m talking voluminous. At first, I rejected this sick fantasy. These were the tailend years of skinny jeans and narrow, flat front trousers, and I was a true believer. When I had first gotten into clothes, I was kind of obsessed with achieving a sharp silhouette, pouring over old pictures of ‘60s mods, and imitating the knife blade proportions put out by Thom Browne and Band of Outsiders. But as the years wore on and my waist line began to expand, I started to feel like a looser cut might not be a bad look, or at least, might not be bad for my circulation.
FIVE DIY’S FOR THE MAN WHO REALLY SHOULDN’T BE BUYING ANY MORE CLOTHES RIGHT NOW
by Daniel Penny
As I’ve written elsewhere, I’m in the middle of a closet embargo, only worsened by the pandemic. A few necessities have slipped through: socks, underwear, a single extravagant polo shirt. But for the most part, I’m trying to focus on learning to love the things I already own, rather than that bleary-eyed moment of clicking “purchase.” To that end, I’ve begun a series of little Do It Yourself projects to try to breath new life into old things. I invite readers to try this list for themselves, or make up their own.