#darkmofo2019

[jumpshotsphotography]

Best ever Dark Mofo 2019 @dark_mofo #darkmofo2019 #darkmofo #discovertasmania #hobart #hobartandbeyond #tasmania #sonya7iii @sonyaustralia (at Hobart, Tasmania) https://www.instagram.com/p/BzDOWLEjOPm/?igshid=iv4fhvmfzu4n

[caz-creations]

Attended Dark Mofo’s Seance. Short 20 minute show but so cleverly done. Made me jump a few times. All done in pitch black. #seance #scary #jumpy #darkmofo #darkmofo2019 #pitchblack #dark #voicesinthedark @andrew.mcmillan.334 @mrsccdixon https://www.instagram.com/p/By4_I0OhCHX/?igshid=15ah5325xh5be

[caz-creations]

Gave my fears to Ogoh Ogoh tonight #darkmofo #darkmofo2019 #ogohogoh2019 #swiftparrot #spectacular #nighttimefun (at Dark Park) https://www.instagram.com/p/By488mKhxlI/?igshid=lsod18o8ni9k

[caz-creations]

Dark Mofo and one of the Ogoh Ogohs #darkmofo #darkmofo2019 #ogohogoh2019 https://www.instagram.com/p/By48ovtBv6M/?igshid=veb64ure8uew

[thegirlfromaus]

There is something seriously special going on at #heavymetalkitchen at the #darkmofo2019 #winterfeast Monas executive chef and his crew have on show a massive fire-roasted fare of some of the best lamb, beef and chicken you'll ever have! We're defiantly going back for more when we head back on Wednesday! (at Princes Wharf 1) https://www.instagram.com/p/ByzqgcZh44I/?igshid=1tg22lgwv8abi

[jaisutraye]

#winterishere #darkmofo2019 (at Dark Mofo Winter Feast) https://www.instagram.com/p/BysKrQYgZ-asskyxiyKggduU-Scr_SXAcStmGw0/?igshid=jxm450j6cgfr

[sgrhall]

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It’s alive! 𝘈𝘪𝘳 𝘋𝘢𝘯𝘤𝘦𝘳 𝘢𝘴 𝘉𝘭𝘢𝘤𝘬 𝘉𝘰𝘥𝘺 (𝘉𝘢𝘥 𝘉𝘰𝘪 𝘦𝘥𝘪𝘵𝘪𝘰𝘯) can be encountered @dark_mofo as part of ‘A Forest,’ opening tonight in Nipaluna Hobart. ⁣ ⁣ 𝘈𝘪𝘳 𝘋𝘢𝘯𝘤𝘦𝘳 𝘢𝘴 𝘉𝘭𝘢𝘤𝘬 𝘉𝘰𝘥𝘺 (𝘉𝘢𝘥 𝘉𝘰𝘪 𝘦𝘥𝘪𝘵𝘪𝘰𝘯) critically responds to figurative ‘black bodies’ within dominant exhibition and curatorial frameworks. Within this space, First Nation art practice often arrives to operate across two modalities: the artwork as liberated yet restrained by bureaucracy, it performs yet is tired and tropiac, the work may be of affect yet is fetishsised. These various dualities contributing to a third space of competing intentions and tension reflected in the idea of the pharmakon. ⁣ ⁣ Rather than to ‘cure’ an artwork through curation, the presented work as pharmakon has traces of both remedy and poison, finding itself ill – borne from motions of the colonial project as triggered by a public. Represented as curator and audience, the public are main constituents of the ‘exhibition’ thereby perfect conduits and carriers of the colonial parasite. This parasite thrives in the ambiguity of the third space, finding new carriers in the body of both the public and artwork, replicating itself with each encounter. ⁣ ⁣ Opposed to its predecessor, 𝘉𝘢𝘥 𝘉𝘰𝘪 has developed a capacity of self awareness, coming to performing the third space and ideas of both an infestation and a casting of the parasite from its body. ⁣ ⁣ > this work is presented by @liquid_architecture for #darkmofo2019 https://www.instagram.com/p/BylkSnWAAd5/?igshid=1mlyc4o1q41nn