Forest Fair by Ashley Collins

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Forest Fair by Ashley Collins
Richard Kearney, excerpt of ‘Strangers, Gods, and Monsters: Interpreting Otherness’, 2002.
...an uncanny effect is often and easily produced by effacing the distinction between imagination and reality, such as when something that we have hitherto regarded as imaginary appears before us in reality, or when a symbol takes over the full functions and significance of the thing it symbolizes, and so on. It is this element which contributes not a little to the uncanny effect attaching to magical practices. The infantile element in this, which also holds sway in the minds of neurotics, is the over-accentuation of psychical reality in comparison with physical reality—a feature closely allied to the belief in the omnipotence of thoughts. In the midst of the isolation of war-time a number of the English Strand Magazine fell into my hands; and, amongst other not very interesting matter, I read a story about a young married couple, who move into a furnished flat in which there is a curiously shaped table with carvings of crocodiles on it. Towards evening they begin to smell an intolerable and very typical odour that pervades the whole flat; things begin to get in their way and trip them up in the darkness; they seem to see a vague form gliding up the stairs—in short, we are given to understand that the presence of the table causes ghostly crocodiles to haunt the place, or that the wooden monsters come to life in the dark, or something of that sort.
Sigmund Freud, “Das Unheimliche”
Julia Kristeva, excerpt of ‘Approaching Abjection’ Powers of Horror: An Essay on Abjection (tr. Leon S. Roudiez).
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