What lies outside of consciousness also, as Lacan would tell us, lies outside of speech.
—Gothic Sublimity

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What lies outside of consciousness also, as Lacan would tell us, lies outside of speech.
—Gothic Sublimity
For Freud, (...) uncanny images inspire the same mixture of attraction and revulsion which is the fundamental law of Gothic emotion.
—Gothic Sublimity
Death in the Gothic novel is not conceived in linear relation to life, as the terminus of a long or short journey. It interrupts the hero on his wedding day; it intrudes upon the timeless chapels of religion; it mixes corpses with marriage beds.
—Gothic Sublimity
Gothic sublimity explores a terror of the unspeakable, of the inconceivable, of the unnameable.
—Gothic Sublimity
Life in Gothic fiction never frees itself from the presence or threat of death. The sublime is always waiting beyond the next turn of the staircase.
—Gothic Sublimity
In the Gothic novel, love and terror prove inextricable.
—Gothic Sublimity
Even in moments of grotesque or comic exaggeration, when nervous laughter seems closer than terror, the Gothic novel remains an edgy, uncomfortable, disquieting text.
—Gothic Sublimity
Excessive feeling is the law for Gothic character.
—Gothic Sublimity