Oct 21, 2016
a DBAF favorite
Yves Klein’s Symphonie Monoton-Silence written in 1949, consists of a single chord played for 20 minutes, followed by 20 minutes of silence
seen from United States
seen from China
seen from United States
seen from T1
seen from T1
seen from T1
seen from United States
seen from Canada
seen from China
seen from United States
seen from South Korea
seen from China
seen from China
seen from Singapore
seen from Brazil
seen from China
seen from China
seen from China
seen from China
seen from United States
a DBAF favorite
Yves Klein’s Symphonie Monoton-Silence written in 1949, consists of a single chord played for 20 minutes, followed by 20 minutes of silence
a DBAF favorite
At the 2015 Venice Biennale, Im Heung-soon, winner of the Silver Lion, introduced his full-length documentary film, Factory Complex (2014), in which he considers the position of women as victims of history through the realities of labor in Asia
another DBAF favorite: Jeff Wall | Volunteer | 1996 | Gelatine silver print | 221.5 × 313 cm
a DBAF favorite
Artist Jeremiah Quarshie uses bright yellow, plastic “kufuor” water containers to create compelling, yet critical, portraits that shed light on global capitalism’s impact and intersection with local traditions and daily rituals in his homeland of Ghana (via Artsy)
a DBAFfavorite: Mona Hatoum | “Undercurrent (red)” | 2008 | Currently on view at @tatemodernuk Hatoum’s interest in craft and textiles, often explored in smaller-scale work, is realised dramatically here in a combination of traditional technique with unexpected materials. A square mat, woven from red electrical cable, forms the centre of this work. A long fringe snakes across the floor. At the end of each cable a 15-watt light bulb brightens and dims at what Hatoum describes as ‘breathing pace’, suggesting the object has a life force of its own. It hints at a malevolent presence underfoot.
We are currently visiting @artgalleryofontario to view “How to Build a House Museum”, a new immersive work by Theatre Gates that transforms the AGO’s 5th floor galleries into symbolic spaces in the tradition of the house museum, each dedicated to the potential Black creativity and freedom - past, present and future
a DBAF favorite: Xaviera Simmons
top: Index Two, Composition Three | 2012 | Archival Ink Print middle: Into the New Sea (Nomad) | 2009 | C-Print | 40.6x50.8cm bottom: Untitled (Green) | 2016 | Color Photograph |101.6x76.2cm
a DBAF favorite: Casey Tang’s interview with Alt Esc Platform