The 42nd Durban International Film Festival - Framing the Future, Cinema Unleashed
Durban International Film Festival has selected films with the theme “Framing the Future, Cinema Unleashed”. The University of KwaZulu-Natal’s Centre for Creative Arts will host the Durban International Festival (DIFF) from 22 July to 1 August 2021. This year, for its 42nd edition, the festival curated a film programme that focuses on narratives that will speak hope for tomorrow.
The programming team received over 3000 films, and after an intense selection process, the festival has curated a film programme consisting of over 120 shorts, documentaries and feature films.
With the theme “Framing the Future, Cinema Unleashed”, the plots in the selected films, through different lenses, provide meaningful solutions on how to adapt to our dynamic and ever-changing environment. The programme includes several films that offer solutions to questions that haven’t been asked yet, broadening our viewpoints and allowing for robust critical discourse.
"The Durban International Film Festival has been a platform that celebrates a legacy of supporting South African and African filmmakers as well as our partnership with a global film industry. Programming DIFF 2021 was fascinating, given the challenges faced in 2020 globally across the different industries that contribute to the film landscape. The diversity in the narratives in the submissions is a testament to the resilience shown by filmmakers who continued to work their craft. As is every year, the selection is a daunting task, which the programming team took to diligently and as it is for me, yearly, the heartbreak that comes with not being able to screen more films than allotted. We hope that the selections, a culmination of months of hard work, will speak to our audiences as much as they have moved us.” says Head of Programming Chipo Zhou.
At the heart of the Durban International Film Festival is a mission to enable partnerships that aim to strengthen the film industry and create opportunities for African, and newer voices.
Encounters Documentary Film Festival will co-premiere four African documentaries in partnership with DIFF. Murder in Paris, directed by Enver Samuels, a political crime-thriller that traces the motives for the assassination of anti-Apartheid activist Dulcie September. I Am Here, where we meet the phenomenal 98-year old Ella Blumenthal through the eyes of the director Jordy Sank. The Colonel’s Stray Dogs, a profile of political activist Ashur Shamis, who lives with a million-dollar bounty on his head after a lifetime in Muammar Gadaffi’s crosshairs, directed by Ashurs father, Khalid Shamis. The Last Shelter, by Malian director Ousmane Samassekoou, in which we journey to the Malian city of Goa on the edge of the breathtaking Sabel Dester, where audiences get an inside look into the infamous House of Migrants. Zinder, directed by Aicha Macky, is a town in Niger, where in the impoverished area of Kara-Kara, which used to be the lepers’ district, a culture of gang violence reigns. In I am Samuel, directed by Pete Murimi, we are given a window into the life of Kenya’s LGBQTI community where Samuel, a gay Kenyan man, has to balance his duty to his family with the care of his partner.
The missions to create inclusion in the film industry is emphasised through a robust community engagement programme titled isiPhethu. This year, the programme will host various online workshops and seminars. Additionally, through valuable partnerships, some films by up and coming filmmakers will be screened as part of the DIFF programme. One of these partnerships is the one with Social Transformation and Empowerment Projects (STEPS). This non-profit media company works with documentary film to connect filmmakers, audiences, and organisations, giving marginalised and disadvantaged communities a voice to inspire social change. The recent Mzansi in the time of Covid-19 project, a collection of four documentary short films on Covid-19 that engages diverse audiences in open discussions about the impact of the virus on South African individuals and communities, will screen at DIFF. These films are Lindela under Lockdown, directed by Sihle Hlophe, Schools Shut Down, directed by Kastarine Kgola, Jeanette Makes Masks, directed by Nadine Cloete and Lefu – The Funeral, directed by Omelga Mthiyane.
The University of KwaZulu-Natal’s Centre for Creative Arts (CCA), will host the Durban International Festival (DIFF) from 22 July to 1 August 2021. This year, for its 42nd edition, the festival presents a programme of close to 140 feature films, documentaries and short films alongside an exciting industry programme: Isiphethu.
On 22 July, DIFF 2021 opens with a virtual screening of the action-thriller, The Eagle’s Nest, by Cameroon Born British director Olivier Assoua. From 23 July all other films will be available to watch for free online. Documentary ‘Threshold’ by the Brasilian Coraci Ruiz is the closing film and will be screening on 1 August just after the annual DIFF Award Ceremony. The DIFF jury is consisting of an international team of industry specialists including South African producer Cait Pansegrouw, filmmaker Sam Soko from Kenya and Dutch producer Raymond Van Der Kaaij.
The DIFF Awards Head of programming, Chipo Zhou is proud to announce the films in competition, that are diverse but have a common thread. “The DIFF deliberately cultivates indigenous talent development and grants access to audiences and aspirant filmmakers particularly women, children, LGBTQI+ communities in highly conservative regions of the world. Ultimately, all the narratives in competition speak to this vision and are an illustration of the challenges of overcoming adversity and adapting to an altered world — one where, sadly, not everyone has fared so well. These are the kinds of stories that DIFF sought out this year, stories of hope, stories that show the light at the end of the tunnel, even if for now, it seems like just a flicker. “ says Zhou.
Documentaries in the 2021 Competition:
Areum Married, in which director Areum Parkkang tries juggling her film and her marriage in this autobiographical documentary. The Republic of Korea, 2021
As I Want, directed by an emerging voice in Arabic documentary film making, Samaher Alqadi, who picks up her camera as a form of protection and begins documenting the growing women’s rebellion. Egypt, 2021
Downstream to Kinshasa, in which director Dieudo Hamadi shares the forgotten tragedy of the victims of the six-day war in the Democratic Republic of Congo, 2021
Hard Livings, a film about a city, a country and a continent plagued by ills stemming from inequality, directed by Solomon Staggie, South Africa, 2021
I Am Here, in which we meet the phenomenal 98-year old Ella Blumenthal through the eyes of the director Jordy Sank. South Africa, 2021
I, Mary, in which director Aliki Saragas Georgiou shares a lyrical telling of Regina Mary Ndlovu’s story who is a survivor of a lifetime of sexual abuse, and a fiercely determined woman with Albinism. South Africa, 2021
Mein Vietnam, about a Vietnamese couple that has been living in Germany for the past 30 years by director Thi Hien Mai. Germany/Vietnam, 2020
Murder in Paris, a political crime thriller doccie that traces the motives for the assassination of anti-Apartheid activist, Dulcie September by director Enver Samuel. South Africa, 2021
Postcard, Finding an old picture postcard of a mountain village marks the start of an existential journey for director Asmae El Moudir. She explores life in Zawia, Morocco, where her mother was born. Morocco, Qatar, 2020
The Colonel’s Stray Dogs, a profile of political activist Ashur Shamis, who lives with a million-dollar bounty on his head after a lifetime in Muammar Gadaffi’s crosshairs, directed by Ashurs father, Khalid Shamis. South Africa, 2021
The Last Shelter, by Malian director Ousmane Samassekoou, in which we journey to the Malian city of Goa on the edge of the breath-taking Sabel Dester, where audiences get an inside look into the infamous House of Migrants. South Africa, 2021
The Sit-In, Harry Belafonte Hosts The Tonight Show, in which director Yoruba Richen examines the importance of this lost broadcast history through vibrant interviews. USA, 2021
Zinder, directed by Aicha Macky, is a town in Niger, where in the impoverished area of Kara-Kara, which used to be the lepers’ district, a culture of gang violence reigns. Niger, 2021
Features in the 2021 Competition:
Coming of age story, A Little Bird Reminds Me, directed by Shi Xin, follows the joys, sorrow and struggle of a Chinese boy and his family during the last decade of the 20th century. China, 2020
Granada Nights, directed by Abid Khan, in which a British-Pakistani tourist must mend his broken heart before he can restart his life in the transient city of Granada in Spain. UK, 2021
Psychological thriller Lost directed by Driss Roukhe in which a young woman finds herself in the middle of a conspiracy. Morocco, 2021
My Son, directed by Equan Choe, in which a father, taking care of his 18-year old, handicapped son, can’t turn his son down as he declares his independence, Republic of Korea, 2020
Nandi, directed by Khalid EL-Jelailati, follows the spiralling journey of Nandi in the underbelly of the criminal world. South Africa, 2021
Pusha Pressa Phanda, directed by Dick d’vLz Reubïn, follows the story of street youth Mandisa as she struggles to obtain medication and sanitary pads for her sister who is under her care, South Africa, 2021
Rickshaw Girl, a personal story, directed by Amitabh Reza Chowdhury in which a daring and artistic Bangladeshi teenaged girl disguises herself as a boy and braves the dangers of the big city. Bangladesh, 2021
Sons of the Sea, directed by John Gutierez, in which a gifted reclusive teenager from a poor South African fishing community, is pressured by his older brother to steal two bags of ocean treasure – abalone, from a dead man. South Africa, 2020
Valentina, directed by Cássio Pereira dos Santos in which trans girl and her mother move to a new town in order to start fresh, but quickly face dilemmas when the local high school needs a second parental signature for enrolment. Brasil, 2020
The opening film, action-thriller The Eagle’s Nest, directed by Olivier Assoua, a story set in Africa on migration and poverty.UK/Cameroon, 2021
The full programme of shorts, consisting of a selection of 52 powerful short films that were thoughtfully curated for DIFF2021, are in competition.
Programme and details The full programme, alongside all the films that will be screening, is accessible through www.durbanfilmfest.com. Tickets for the virtual screenings are only available from South Africa for free, and are only accessible through a booking system, which opened on 21 July.
The 42nd edition of the festival is organised by the University of KwaZulu-Natal’s Centre for Creative Arts, in partnership and with the support of the KZN Film Commission, the National Film and Video Foundation, Department of Arts & Culture, the Film and Publications Board and other valued funders and partners.