Disposable Pleasures ° vol⁴ series artwork by blck-xcvi
- Design instagram: blck.xcvi
seen from China

seen from Malaysia
seen from China

seen from United States
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seen from United States
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seen from Denmark

seen from United States
seen from Spain

seen from United States

seen from United Kingdom
seen from China
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seen from Israel
Disposable Pleasures ° vol⁴ series artwork by blck-xcvi
- Design instagram: blck.xcvi
so which one actually wins
everyone keeps asking which ai model is “best” but best for what exactly
cinematic? speed? realism? control?
been comparing seedance, kling, veo 3, wan 2.6 and the differences are more subtle than people admit
hype is loud. output tells the truth.
Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows).
What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces?
unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work with their temporary open project space in Berlin to show a range of what’s happening and what’s possible.
And, you know – it’s a party. It’s free and open to artists and visitors alike, to hope we get to know each other better and discover new people and work.
Here’s what the first installment looked like, through the eyes of a GoPro camera (shot, nicely enough, unsolicited!)