DJ Q - TwentyFour7even (2000)
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DJ Q - TwentyFour7even (2000)
Saving Grace Music proudly presents Highest Frequency Vol. 2, an album repping vibrant UK electronic music culture to the fullest. The LP collects 11 high-grade tracks from music legends, bubbling talents, and currently undiscovered artists. KoDean Productions opens things up with a cold serving of his trademark Sci-Fi Drill sound on the enigmatic Dreams. While Saving Grace upstart Slinki comes with a true dancefloor destroyer known as ANX BNX is a hyperactive footwork riddim with an arresting melody and a thunderous kick drum. Murk stays true to name on Slowwww, a high-octane, jump up drum & bass roller. UKG & Bassline legend DJ Q brings us his epic track All Mighty, combining elements of dub, dubstep, drum & bass, and a powerful reggae vocal sample the track the track takes you on a journey through his music inspirations. On Fantasmo Circuitry, 11-year-old DJ Marcel displays influences beyond his years from 80’s electronica and jazz & Hip Hop, skillfully executed with meandering piano, slap bass, and 808 beats. Mighty Funk'Houser reminisces about a fine lady on his soulful deep house/bruk joint, Chantay Had A Vybe. Krash displays his unique bassline style on Going Home, featuring a bittersweet piano rift and handcrafted bass. Positive_Con flips a classic sample into the anthemic bass-hybrid banger Underground. Shaun Dean's bouncy garage riddim Like It is a fresh and flavorful take on a classic oldschool sound. Eclectic, weird & comical production duo Foxglove Riot takes us foraging for Subterranean Garlic on a forest moon - to the sound of rugged drums, enchanting melodies, and nostalgic vocal harmonies. For the album's cinematic conclusion we enter the Austerity Chamber, Tony Phorse's simulation of a near-future dystopia, soundtracked by distorted techno beats and apocalyptic synth. Highest Frequency Vol.2 continues the legacy of solid sounds from up north. From hypnotic beats to dancefloor bangers, Highest Frequency Vol.2 slaps hard and deep. All you gotta do is press play. The Highest Frequency vol2 OUT DECEMBER 14TH 2022
I Can't Stay (Edit)
Ina-Mari submitted: uhh i guess i made fanart, I use the term “Fanart” loosely, cause its …. shit xD (hopefully it reaches you)
first time i give someone fanart, but reading about DJ in SSLL really made me wanna make fanart. first time drawing Q and well i am sorry @jolie-in-the-underground for ruining him.
love your SSLL story T-Tortoise, its always fun to read, and thank you for sharing it <3
VoD
the tortoise’s two cents: Okay, first of all, there is nothing shit about this because it’s amazing, and I adore the way you did the screens around him! Q in the DJ booth? Hell yeah! And his crossbone Q logo on the front?! Headcanon 100% accepted! Look at his cute headphones, too!
I love it. <3 Thank you for sharing this fanart with us!
Listen to the Playmoss playlist: let's look at the funk by KINGOFTEETH by KINGOFTEETH ► LISTEN i've been super into jet set radio lately and now i'm in too deep making playlists based on it lord mercy
cover art!
So my sister, @nighttimepixels made a sick-ass friggin’ playlist for chapter 23 of @tyranttortoise‘s fic ‘Skeleton Squatters and the Landlady‘ that Q is pulling from while he DJs! Give it a listen, it’s a superb mix, and I definitely listened to it a lot while working on chapter 6 of ‘Skeleton ex Machina‘!