seen from Colombia
seen from United Kingdom
seen from Belgium
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seen from Japan
seen from Germany
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CATCH THE BEAT THE BEST OF SOUL UNDERGROUND 1987-91
By David Lubich. DJhistory.com, 2010
A unique time capsule of the early years of hip hop and house, pulled from the super-collectible fanzine. 440 pages of fresh writing on dance music and clubbing in London Manchester and New York, with fantastic articles on everyone from KRS-1 to Bobby Konders. The Sound Factory, warehouse parties, the first raves, the birth of acid jazz, not to mention about 200 brilliant charts
from " Raving '89 " by Gavin Watson
edited by djhistory.com
UK, 2009
Simon Frith, 1978:
"The disco form can be used by anyone who’s got a record player, records and a large enough room. But a proper disco exists only to be a disco and the records it plays exist only to be played by it. The Musicians’ Union hates discos because they put live musicians out of work. I hate discos because they seem like such a soft way of making money: a DJ doesn’t do anything except buy records and put the needle on them – I can do that too. The whole enterprise is parasitic: if there is such a thing as disco creativity it happened in secret studio places long before."
