#dodgegallery

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Jason Middlebrook's wonderful painting-on-wood sculpture "Finding what's left" (2013) from the just-closed final exhibition at DODGE gallery, Thank You, which I reviewed in a recent gallery show roundup.

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Sheila Gallagher's "Plastic Lila" (2013) from her just-closed show at DODGEgallery, Ravishing Far/Near.

[nycartscene]

Opens Thurs, July 11, 6-8p: “Balls to the Wall”  Appau Junior Boakye-Yiadom, Matt Browning, Tim Davis,  Leah Dixon, Dario Escobar, Leo Fitzmaurice,  Nina Katchadourian and Lisa Young DODGEgallery, 15 Rivington St., NYC this group exhibition explores the intersection of art, labor, athleticism, humor and the body. Seemingly opposite, art and sport collide, expressing the physical and mental demands of the body and spirit. - thru Aug 16

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Opens May 18, 6-8p: “appositions: still / birth / shit”  Lorna Williams DODGEgallery, 15 Rivington St., NYC Williams' anthropomorphic sculptures are meticulous amalgams of unlikely and often provocative material juxtapositions. In appositions: still / birth / shit, Williams continues to use the body as her primary subject while focusing on the specific and essential process of birthing and digesting. Plastic teeth, locked hair, root systems, pipes, stones, thorns and snakeskin, are some of the artist's materials, assembled to form the material ecosystem of each piece and a collective narrative throughout the body of work.  - thru June 29

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Cordy Ryman's "Triple Cop-Out" (2013) from his new solo show at DODGEgallery, Adaptive Radiation (through May 12).

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Opens Tomorrow, Jan 11, 6-8p: “What is Yours is Mine”  Doug Weathersby (Environmental Services) DODGEgallery, 15 Rivington St., NYC sculptures, photographs and an installation documenting the past six months of a major collaborative undertaking: a series of studio visits and exchanges with artists who have exhibited at DODGEgallery—Dave Cole, Taylor Davis, Darren Blackstone Foote, Sheila Gallagher, Eddie Martinez, Jason Middlebrook and Cordy Ryman. During each visit, Weathersby learned about the artist and their practice, photographically documented their spaces and collected scraps and discards from the studio. In return, he offered to perform a task that would be helpful to the artist he visited; be it delivering art or cleaning up their space. Regardless of what he was given, Weathersby abided by one rule: he must use everything that he recovered from each studio in What is Yours is Mine. Using this unwanted detritus, including components of failed art works, Weathersby composed bizarre sculptures, keeping in mind the nature of each artist's practice as he worked. - thru Feb 17

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I can't ever get too much Allison Sculnik so here's another still life from DODGEgallery's new group show Twisted Sisters (through June 23).

[nycartscene]

Opens Saturday, May 19, 6-8p: "TWISTED SISTERS"  curated with Janet Phelps DODGE gallery, 15 Rivington St., NYC Twisted Sisters is an exhibition of works that are made by women artists and depict women as the subjects. Inspired by 1960’s performance works wherein women turned to the body as the site of creation and content, the exhibition casts the body as protagonist. - thru June 24