1985.
Wayne and Shuster criticized for perpetuating racial stereotypes.

seen from United States

seen from United States

seen from United States

seen from United States
seen from Russia
seen from Germany
seen from United States
seen from Australia
seen from United States
seen from United States
seen from United States

seen from Italy

seen from Australia
seen from Switzerland
seen from Netherlands
seen from China

seen from Germany
seen from Russia
seen from Yemen

seen from United States
1985.
Wayne and Shuster criticized for perpetuating racial stereotypes.
Don Cullen, the Canadian actor and Wayne and Shuster regular, who gave Lorne Michaels his first producing job.
August 1972.
A young Dan Aykroyd joined Rosemary Radcliffe (later the co-star of the King of Kensington) in a "satirical musical revue" behind Eaton's in Montreal.
The Pickle was directed by Don Cullen, a comic performer who frequently appeared on The Wayne and Shuster Hour.
The review primarily satirized Canadian politics, in particular Progressive Conservative leader Robert Stanfield and Liberal Party leader Pierre Trudeau.
1969.
Pierre Trudeau references in an “obvious, tired and flat” Wayne and Shuster special - with musical guests The Guess Who
Don Cullen was the only Canadian in the cast of Beyond the Fringe when it played Broadway as Beyond the Fringe '65. Cullen ran the Bohemian Embassy in Toronto, a coffee house venue where Margaret Atwood did poetry readings, Joni Mitchell played music, and Lorne Michaels produced revues - long before any of them were famous.
Cullen later became a longtime member of the Wayne and Shuster repertory company on CBC Television.
The Bohemian Embassy was where Lorne Michaels had his first job in showbiz. His job was to book new talent. Among the recruits were Don Cullen, a comedian in the touring company of Dudley Moore’s Beyond the Fringe.
Don Cullen and Barry Baldaro starred in a Canadian road company of Beyond the Fringe in 1966.
Together they operated the Bohemian Embassy in Toronto, a small coffeehouse that attracted progressive actors, poets and musicians.
In 1965, they were approached by ambitious Lorne Lipowitz who directed their two-man comedy revue. It was the first professional job for the man who changed his name to Lorne Michaels.