I can’t be the only one to notice just how similar Adelaide Kane and Lana Parrilla look! 👀 💖
Like if Adelaide had not already played Drisella, I could definitely see her as Regina’s daughter or even her “teenage self”. Someone make this happen! 📝
I have watched through S7E6; spoilers DNI. Also, spoiler warning for anyone further behind than I am.
—I don’t think they handled Tiana well at all. First of all, her personal code doesn’t hit the mark. Tiana is a dreamer, sure, but she’s also excruciatingly practical. She saved and scrimped her money in jars to get her restaurant, she didn’t bet her rent on it. And making her a sheltered princess-by-birth? Lousy move. Her essence is that she is an ordinary woman who works hard for what she’s got, almost too hard, because she wasn’t born with a silver spoon in her mouth. Community is what’s important to her; dedication and effort, because those are the things she grew up with, not wealth and blindness and entitlement.
—Drisella’s dress at the auction was so pretty. I love cropped, long-sleeved jackets with long solid-colored dresses.
—That ain’t no food truck, that is a hauling-stuff truck. Can’t pull the wool over my eyes.
—I love Regina’s new warrior-Queen aesthetic in the Cinderella world. Which, by the by, needs to get itself a proper name. Calling it the Cinderella world all the time feels pathetic.
—Facilier turning a frog into a person is messed-up. But they were such cute frogs together! All hippity-hopping into the swamp, cute lil froggie voices. (Not the legs. Frogs’ legs are icky.)
—Speaking of Facilier, I love him. I hope he’s not a one-time character.
—He’s quite handsome. And those clothes—which, if you’re going to keep one single outfit from a movie, that’s the one—suit him to a T. And I just adore his voice; any guy who’s playing Facilier has got to have a good voice, and this fellow delivers.
—Those divining bones were an interesting alternative to cards. I mean, I miss the classic, because the cards in the original movie were one of the best visual stuffs, but it’s a cool idea.
—Henry beating up thieves with a plastic Tron lunchbox may be one of the coolest things I’ve seen in a while.
—Regina being gullible about Drisella just proves how good she is now. Only the hero ever falls for such an obvious manipulation.
—Also, Regina’s innate mother-ness is my favorite. Maybe she should consider adopting another kid.
—But that stuff Henry was saying about how ‘he never had a mom, but in his book he gave himself two’? That was terrible. Has Regina not suffered enough?
—When Regina got back her memories, her first idea should’ve been going to Rumple. If anyone else would be awake, she knows it’s him. And she’s gotta be salty about owing him a favor, too.
—Which is also not a good thing. He only collects on his favors when his badness level is high. But, I choose to believe that he’s still a good dude.
—Hook should not have gone into that creepy dark house by himself. That was just stupid. For all he knew, it was a trap. There could’ve been ten people waiting to stab him or something. Where are his brains at?
—That lady in the tower needs some explaining. There is a different between mystery and confusion, and she’s starting to fall into confusion enough that it legitimately agitates my braincells. It’s been six episodes, and I forget how many of them she’s been in, but the fact that I know nothing about her except she for some (unexplained) reason has magic—in a land without magic—is not good. I don’t know why she and Drisella seem to have some history. I don’t know what story she’s supposed to be from. I don’t know what it is Tremaine wants with her. She seems to have some precognition abilities? Or maybe just really good deductive reasoning skills? Leave a couple of elements as unknowns. I don’t have to know her histories with these respective ladies, why she has magic, if she has foresight, who she’s supposed to be, all at once—just give me A FRICKING ONE!
—Seriously, this season has a lot of exposition that yields shockingly little knowledge. Now, I’m willing to admit that only having one season of this storyline makes me impatient to know more, because I don’t want it to be left with a lot of loose threads that will never be resolved, but for all their talking they’ve told me very little.
—So, Rumple’s gonna stick with these clothes? I guess it would be kinda weird for everyone else if he started wearing suits, and they’re not practical for a detective. And hey, he’s been alive for centuries, maybe he wants a chance of style. Not that I’m complaining, those clothes are choice.
—He needs to say dearie more. Although that would be the biggest possible red flag for anyone awake….
—Having one of the stepsisters be the badguy is a v good decision. It’s not the expected plot, and they’ve worked it out in a way that I actually didn’t know whether or not to believe Drisella (yk, until now) and I didn’t quite see it coming that she’s the one to cast the Dark Curse.
—SO I had a mega brain-melty moment when somebody, I think it was Lucy but don’t quote me on that, was talking about how cool it was that Henry wrote a fairytale book that had real stories in it. And I was like, “yeah, there are books with real stories. Biographies.” And then I was like, “wouldn’t it be cool if biographies were written the way Henry’s book is?” And then I realized why I like *good* historical fiction so much. It’s based on real people’s lives, and it has most of their real stories. But it’s written in a way that engages and entrances my imagination; it’s written like a fictional story and that somehow makes those people more real to me. And you know what? If I was now or ever planned to be famous, people seeing poetic story elements in my simple existence, years after I died, and spinning those elements into a mythos of their own, would be the highest honor I could ever imagine.
“Get out.” Ella growled at her stepsister. “I don’t want to see any of you. Your mother had no right selling my cello. That was my mother’s! My grandmother’s!”
