Play, Sing and Dance - an overview of Orff Schulwerk with Doug Goodkin
Play, Sing and Dance - an overview of Orff Schulwerk with Doug Goodkin
Yokohama International School
October 6-7, 2012
Doug Goodkin looks at a lesson in the classroom as a musical composition. It needs an enticing beginning, a connected middle and a satisfying ending. Doug took the workshop group through these stages over this sensational musical weekend.
The day started in silence with physical warm-ups. All activities started with a simple rhythmic or melodic pattern and gradually became more complex with each additional step. At times problem-solving in groups became a challenge as we learned how to break up a simple dance into smaller group components.
Body percussion has always been an integral part of the Orff Schulwerk methodology. This universal instrument was explored in-depth through mastery of simple 3-5-7-9 patterns and 2-4-6-8 patterns. Vocal sounds were incorporated with the body percussion as well to enhance the overall rhythmic experience.
Orff instrumentation was explored through several songs including “Rain, Rain”, “Funga Alafia”, “Marko Skace”, “Ulan Ulan”, and “Boom Chick a Boom.” Participants learned about the four elements: drone, ostinato, color and melody. Through exploration of various harmonic elements, scales, songs and Orff instrumental techniques workshop participants gained invaluable knowledge on how to build an Orff orchestra at their own school.
“Funga Alafa”, a call and response African song, gave workshop participants an opportunity to experience African drumming with percussion instruments,
movement and song. As the circle of dancers surrounded the instrumentalists with beautiful harmonic sounds an overwhelming sense of community and cooperation filled the air. Everyone felt a deep connection to a true musical experience - music as vibration.
The importance of games and stories in the Orff Schulwerk methodology were discussed. Games help students predict patterns. Stories can help students develop their imagination and project themselves into the future.
The importance of continual assessment was emphasized as the group worked through the steps of building an activity. After every activity the group reflected on the challenges they experienced -- “What worked and didn’t work?” In this way everyone could express their feelings about the success and possible improvements for the future.
Overall, workshop participants thoroughly enjoyed singing, dancing and playing instruments during an incredible workshop. Not only did the workshop participants learn many great activities through body percussion, instruments, dance, movement and song but they explored the many possibilities of how to build a great lesson -- like a musical composition. Doug Goodkin shared his vast musical knowledge, instrumental expertise and music education methodology with the workshop participants. His vast knowledge of world music and particularly jazz has inspired teachers from around the world. All workshop participants were truly inspired and felt fortunate to spend two days with Doug Goodkin.
Doug Goodkin is internationally known for his work as a music educator and particularly as a proponent of Orff Schulwerk, a dynamic approach to music education developed by composer Carl Orff and his colleague, Gunild Keetman. He is beginning his 38th year at The San Francisco School, where he works with children between three years old and eighth grade, Doug also maintains a rigorous schedule of teacher training, presenting at conferences and giving workshops and courses in 39 countries throughout the world. Doug is particularly well-known for his innovative application of Orff practice to the teaching of jazz and music of diverse cultures, as well as connecting Orff’s generative ideas with the whole of education, culture and human potential.