#earlyrockandroll

[bestfrozentreats2]

from the Arhoolie Foundation:

"Here is an astonishing artifact that was at The Arhoolie Foundation for an unknown amount of time before a needle was ever dropped on it. One day, Chris and I were in the vault going through the shelves of 45’s that still needed digitizing while casually talking about small regional Texas labels that he liked. Throughout the vault were scattered stacks and boxes of 78’s and 45’s that were being spot-checked for their condition and cross-referenced in the database for missing catalog numbers. I, like many music lovers, have a habit of seeing a stack of records and immediately thumbing through them, while the weight of the records carefully rests on my belly. This particular acetate that I picked up was on top of a stack that had caught my eye and asked Chris about it. He looked over and stated he didn’t remember where he got it but confirmed that it was Freddy Fender. I ran upstairs and digitized it right away and was blown away by what I heard! Being a huge fan of Baldemar Huerta’s early rock and roll recordings with Falcon Records and Discos Ideal, I was left speechless. I continued to scan the label and digitize it and ran back to the vault to share the sound files with Chris. What this unique artifact ended up showcasing, was a 4 song acoustic demo that I suspect was cut to submit to either Falcon or Ideal Records around the mid-1950’s, however, I would love to know if anyone has further insight on this treasure!"

Songs:

‘A Man Could Cry’

‘It’s Too Late To Remedy’

‘Louisiana Blues’

‘Pink Cadillac’

[phonemantra-blog]

Duane Eddy, a legendary guitarist credited with shaping the sound of early rock and roll, passed away on Tuesday at the age of 86. Inducted into the Rock and Roll Hall of Fame in 1994, Eddy’s reverberating electric guitar riffs on iconic tracks like “Rebel Rouser” and “Peter Gunn” influenced countless musicians, including George Harrison, Bruce Springsteen, and Paul McCartney. A Career Defined by Innovation and “Twang” Born in Corning, New York, Eddy’s musical journey began at the tender age of 5 in Phoenix, Arizona. Though he initially dreamt of becoming a singer on the Grand Ole Opry, destiny had […]

Duane Eddy, a legendary guitarist credited with shaping the sound of early rock and roll, passed away on Tuesday at the age of 86. Inducted into the Rock and Roll Hall of Fame in 1994, Eddy's reverberating electric guitar riffs on iconic tracks like "Rebel Rouser" and "Peter Gunn" influenced countless musicians, including George Harrison, Bruce Springsteen, and Paul McCartney. Duane Eddy A Career Defined by Innovation and "Twang" Born in Corning, New York, Eddy's musical journey began at the tender age of 5 in Phoenix, Arizona. Though he initially dreamt of becoming a singer on the Grand Ole Opry, destiny had a different tune in store. In 1958, he signed with Jamie Records and released "Rebel Rouser," a song that became synonymous with his name and signature style. Eddy's sound was distinct. He championed the use of a guitar's bass strings, creating a unique "twang" that resonated with audiences. This distinctive sound became his trademark, evident in his first album, "Have 'Twangy' Guitar Will Travel," and continued to define his music throughout his career, even influencing the production of Nancy Sinatra's hit "These Boots Are Made for Walkin'." Collaboration and Commercial Success Eddy's creative partnership with producer Lee Hazlewood in the 1950s proved to be a golden era. Together, they crafted the "Twang" sound that revolutionized the music landscape. This sound propelled Eddy to commercial success, with a five-year peak from 1958 to 1963. While his later hit "Freight Train" (1970) marked a shift towards a more easy-listening style, Eddy's impact on rock and roll remained undeniable. Throughout his career, Eddy recorded over 50 albums, including reissues. He also ventured into film scoring, composing memorable themes for movies like "Because They're Young" (1960) and "Gidget Goes Hawaiian" (1961). Interestingly, Eddy famously rejected the opportunity to compose the James Bond theme song due to its lack of emphasis on guitar. Beyond the Spotlight: Later Years and Legacy The 1970s saw Eddy take a step back from the limelight, opting to work behind the scenes in music production, primarily in Los Angeles. Despite a semi-retirement period in Lake Tahoe, California, Eddy eventually settled in Nashville in 1985. A testament to his enduring influence, Eddy found himself collaborating with former Beatles Paul McCartney and George Harrison after their time with the band. He played on McCartney's "Rockestra Theme" and Harrison contributed his talents to Eddy's self-titled comeback album, both released in 1987. Eddy's legacy extends far beyond his impressive sales figures, which exceed 100 million records sold worldwide. He is credited with pioneering a new sound for the guitar, one that redefined the genre and inspired generations of musicians. His unwavering dedication to his craft and his unique "twang" continue to shape the landscape of rock and roll even today.

[dellamonica]

Rockabilly: 60 Minutos com o melhor dos 50's

Rockabilly : o melhor dos 50's para ANIMAR A FESTA https://www.youtube.com/watch?v=Xs2MwaqkjtI Rockabilly é um dos primeiros sub-gêneros do rock and roll, tendo surgido nos Estados Unidos no começo da década de 1950, especialmente no Sul. Como gênero, mistura o som de estilos musicais do Oeste dos Estados Unidos, como o música country, com o rhythm and blues, dando origem ao que se considera como o rock and roll "clássico". Alguns também descreveram como uma mistura de bluegrass com rock and roll. O termo "rockabilly" é um portmanteau de rock e hillbilly, este último uma referência à música country (que costumava ser chamada de música hillbilly nos anos 40 e 50), que contribuiu enormemente ao desenvolvimento do gênero. Outras influências importantes no rockabilly incluem western swing, boogie woogie, jump blues e electric blues. Uma banda típica de rockabilly inclui geralmente um cantor, uma guitarra elétrica, uma bateria (muitas vezes reduzida a uma caixa, um bumbo e um prato) e um contrabaixo executando um slapback e/ou às vezes um pizzicato. Podem ser citados como principais expoentes do estilo Jerry Lee Lewis, Carl Perkins, Elvis Presley, Buddy Holly, Bill Halley, Johnny Cash, Gene Vincent, Wanda Jackson, Eddie Cochran e Johnny Burnette. Música neste vídeo Saiba mais Ouça músicas sem anúncios com o YouTube Premium Música Keep on Chooglin Artista Petards Álbum Anthology - Ein Kapitel Deutscher Rockgeschichte Licenciado para o YouTube por The Orchard Music (em nome de Bear Family Records GmbH) e 1 associações de direitos musicais Música Maybelline Artista JOHNNY FARAGO Álbum Only Super Hits Licenciado para o YouTube por The Orchard Music (em nome de Orfeon) Música Hit The Hay Artista NRBQ Licenciado para o YouTube por WMG; ASCAP, Music Sales (Publishing) e 3 associações de direitos musicais Música Storm's Been Blowin' By Artista Evan Johns and the H-Bombs Álbum The Jungle Record Licenciado para o YouTube por CD Baby (em nome de Jungle Records); CD Baby Sync Publishing Música Ain't Got No Home Artista Linda Gail Lewis & The Firebirds Álbum Linda Gail Lewis & The Firebirds Licenciado para o YouTube por The Orchard Music (em nome de Rockville Records); EMI Music Publishing e 3 associações de direitos musicais Música Ain't No Free Artista NRBQ, The Whole Wheat Horns Licenciado para o YouTube por UMG (em nome de Island Mercury); ASCAP, Music Sales (Publishing), CMRRA e 1 associações de direitos musicais Música Do The Chicken - Original Artista Billy 'The Kid' Emerson Álbum Move, Baby, Move Licenciado para o YouTube por The Orchard Music (em nome de Charly Records); BMI - Broadcast Music Inc., BMG Rights Management, ARESA e 1 associações de direitos musicais Música Last Time In Florida Artista Mark Hummel Licenciado para o YouTube por UMG (em nome de New Rounder); Concord Music Publishing, CMRRA e 1 associações de direitos musicais Música Cherokee Boogie Artista BR5-49 Álbum The Best Of BR5-49: It Ain't Bad For Work If You Gotta Have A Job' Licenciado para o YouTube por SME (em nome de Gravity); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Warner Chappell, ARESA, Audiam (Publishing), CMRRA, BMI - Broadcast Music Inc., PEDL, LatinAutor, LatinAutor - Warner Chappell e 8 associações de direitos musicais Música Guitar Boogie Artista Al Caiola Álbum Can't Afford Licenciado para o YouTube por UMG (em nome de 2015 fsp analog); LatinAutor - PeerMusic, EMI Music Publishing, BMG Rights Management, LatinAutor, Shapiro Bernstein, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP e 1 associações de direitos musicaisMOSTRAR MENOS Certamente você também vai gostar disto:

https://oldgold.com.br/rock-dos-anos-50-cantores-bandas-e-moda/ Rock dos Anos 50 | A Música Rebelde dos Anos Dourados Read the full article

[grandmasdojo]

Recording some jumpin' #earlyrockandroll with @joshkoala for his original film score. @sethfordyoung on bass.

[manakete]

earlyrockandroll replied to your photo:remember when everyone was into this for a week

how do you make money was my issue with that game

what i did was go on line and invite random people to play and you'd get like...2k or something every time you did and you could get up to 200k

[manakete]

earlyrockandroll replied to your post:

my grandma no joke has the same one omg

WHY WOULD ANYONE OWN THIS DOLL

[loveamongthesailors]

earlyrockandroll replied to your post “whats the point of watching sherlock if the yuri game is so fucking...”

they had a gay woman go straight for sherlock in the second season that show was Unreal n Wild

Lord 

[88532-blog]

earlyrockandrollのコメント： people can say that he was human and not a monster all they want that does shit to excuse anything he can still “be human” and be indescribable scum lmfao @ that post

lmfao @ that person for acting like they werent defending him