#edith crowe

[wronghandcomic]

Slowly, but surely getting my drawing groove back. It's been hard finding the energy or space to create. I want to get back into the swing of it though.

[ratcity00]

everyone shut up and look at her

[wronghandcomic]

-sigh- I’ve had trouble focusing all week. Still I managed to get this done.

[wronghandcomic]

Some video game animals.

[wronghandcomic]

Doing some designs for Hand Me Down.

[wronghandcomic]

Doodling stuff for Hand Me Down. Trying to figure out colors for a character too.

[wronghandcomic]

Two Magical Girls who defend their hometown from bad vibes. At least that’s what they try to do between school, the family restaurant, pursuing their passions, and annoying each other! Can Moonbeam and Sunbeam put a stop to Heartbreaker?

[xirdain]

This theme permeates Tolkien's work: the absolute necessity or both male and female elements, however defined, for the proper functioning of both individuals and societies.  More importantly, he recognizes the interdependence of male and female, and suggests repeatedly that to ignore one at the expense of the other is a grave mistake which at the very least diminishes the individual and at the worst can lead to disaster for both the individual and the society.  Not only are Manwë and Varda both the supreme powers among the Valar, but they enhance each other's power: 'When Manwë [...] ascends his throne and looks forth, if Varda is beside him, he sees further than all other eyes [...] And if Manwë is with her, Varda hears more clearly than all other ears' (The Silmarillion).

Edith Crowe, Power in Arda: Sources, Uses and Misuses (taken from Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien)