PERIOD DRAMA APPRECIATION WEEK 2024 | Day 3 (July 31st): Favorite Costumes → Wedding Dresses

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PERIOD DRAMA APPRECIATION WEEK 2024 | Day 3 (July 31st): Favorite Costumes → Wedding Dresses
Future Alexander I of Russia and Alexander Lanskoy (favourite of Catherine the Great) in EKATERINA (4 season)
Queens by Nikita Gill
𝐇𝐚𝐩𝐩𝐲 𝐟𝐢𝐫𝐬𝐭 𝐝𝐚𝐲 𝐨𝐟 𝐰𝐢𝐧𝐭𝐞𝐫! (in the northern hemisphere)
Catherine Ivanovna Nelidova was a graduate of the Smolny Institute for noblewomen and a member of Maria Fedorovna's entourage. Toward the middle of the 1780s, she became a favorite companion of Paul and was soon rumored to be his mistress, which is unlikely. Their close relationship did not initially disturb Maria Fedorovna, but eventually, platonic relations or not, jealousy did its work, and when the tensions of the young court became extreme, Nelidova modestly retired to Smolny. At length, however, Maria Fedorovna discovered in her a sympathetic and unaffected character and an essential ally in the struggle to reason with and to exert a constructive influence on the increasingly willful Paul. They thereupon became inseparable companions. [ x ]
Yuliya Aug as Elizaveta I (Ekaterina) pictures on @ageofressources underusedfcchallenge par @sweetiesplum Jour 2: Body positive & Fat Liberation
“On September 22, the day of the coronation, saluting cannon began to thunder at five in the morning when a crimson carpet was laid down the steps of the Kremlin’s historic ceremonial outdoor Red Staircase. At nine, Catherine, wearing a dress of silver brocade, trimmed with ermine, appeared at the top of the staircase and slowly descended the steps. At the bottom, she bowed to the crowd in the Kremlin’s Cathedral Square and a priest touched her forehead with holy water. She said a prayer, rows of priests kissed her hands, and, walking between lines of soldiers of the Imperial Guard, she came to the door of the Assumption Cathedral.
Beneath the domes of its five golden cupolas, the interior of the fifteenth-century cathedral glowed with light. Its four massive internal columns, its walls and its ceiling were covered with luminous frescoes; before the altar stood the great iconostasis, a golden screen of painted icons studded with jewels. From the central dome hung a gigantic chandelier weighing more than a ton. Before Catherine, in front of the iconostasis, stood ranks of the high clergy: the Metropolitan Timofey, archbishops, bishops, archimandrites, and other priests. From their miters glittered more diamonds, rubies, sapphires, and pearls. Light, filtering down from the cupolas and flickering from thousands of candles, reflected off the surfaces of the jewels and the golden icons.
Catherine walked to the dais draped in red velvet at the center of the cathedral, mounted its six steps, and seated herself on the Diamond Throne of Tsar Alexis. Observing Catherine at that moment, the new English ambassador, the Earl of Buckinghamshire, saw ‘a woman of middle height, her glossy, chestnut-colored hair massed under the jeweled crown.… She was beautiful, and the blue eyes beneath were remarkable for their brightness. The head was poised on a long neck, giving an impression of pride, and power, and will.’” — Robert K. Massie, Catherine the Great: Portrait of a Woman
Favorite costumes of Catherine’s from Ekaterina Season 3