Josef Albers, Homage to the Square: Saturation, 1967, Oil on Hardboard

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Josef Albers, Homage to the Square: Saturation, 1967, Oil on Hardboard
the last black man in san francisco /// flying model rockets - the front bottoms /// the addams family /// rhododendron - hurray for the riff raff
Self-portrait by Alberto Martini, 1929, oil on canvas
Esplanade Avenue, Montreal via google street view
Jean-Michel Basquiat, A Panel of Experts, 1982, Acrylic and oil pastel on paper mounted on canvas
“Made in a pivotal year in Basquiat’s career, when he was beginning to achieve international recognition, this painting embodies many of the artist’s characteristic subjects and techniques, notably his bold handling of colour and line (often compared to Neo-Expressionist German painting) and his use of language and signs to infuse complex layers of meaning into his work. This canvas is believed to allude to a specific event in the artist’s personal life: a fight between Basquiat’s girlfriend, Suzanne Mallouk (nicknamed Venus), and his lover, the singer Madonna, both of whose names appear in the upper left-hand corner of the painting, above the depiction of a fist-fight between stick figures.” - Montreal Museum of Fine Arts
From the series No Man’s Land, a collection of landscapes from CCTV cameras by Marcus DeSieno
Green Silence by Daniel Kovalovsky
#18 and #9 from the Nyx series by Anna Cabrera & Ángel Albarrán