@engimono said: " well, at least the music isn't terrible... " [ only if you want to ! ]
send in “ WELL, AT LEAST THE MUSIC ISN’T TERRIBLE… ” for our muses to be put in a situation where they have to slow dance together.
As much as the Future Foundation had endeavored to create a digital version of Jabberwock Island, some things hadn't been replicated as truthfully as they could've been.
Sonia had discovered that for herself the first time she'd journeyed to the nearby islands. While the arrangement and access had been the same, a strange sort of familiarity that she remembered doing and yet couldn't recall the color of paint used to decorate the bridges or the names of the streets written on the corner signs. But the buildings were there: the guest house, the shops, the library, the cinema. Places that she hadn't really ever explored in the simulation unless it was to look for traces of blood, weapons, or putting together the sequence of events that led to the deaths and executions of so many people she cared for. It was all made further alien to her that such freedom to explore had been unheard of in Novoselic even before The Tragedy, and that left her split between her natural curiosity and her heavy heart.
The former won out, but the latter tagged along, like a nanny or governess she simply couldn't lose no matter how many underground passages she took or garden hedges she hid behind. That was why she lingered at the Titty Typhoon, with its garish signage at the end of the road. The Neo World Program had prompted two things: a place where young people donned bright feathers and big shoes and danced the lambadas and a gathering place that gathered dust, spilled drinks, and decorations that had seen better days. But neither had proven to be accurate in the real world: there was no constant stream of loud music, of dancing, or even the grime and stickiness that such discos had been said to possess.
Instead, it was spotless, quiet, and fully stocked with all of the comforts Sonia remembered from Novoselic in times of struggle, in both dark and light versions. It was tradition that wine was for celebrating, to be consumed with food and in the presence of friends. But liquor, that was consumed by itself, alone or only in the company of those one trusted. Something to imbibe in when one needed to think or, perhaps more accurately, one needed to numb their pain and forget what ailed them.
It was no wonder, then, that when the rest of the survivors and Future Foundation found themselves busy, the former princess nipped away to the music venue. She could not play any instruments and Ibuki Mioda, like the rest of them, still lay in a coma, but the venue had quite the collection of pre-recorded songs on various discs and thus, after glasses of scotch or rum or vodka, Sonia thumbed through them with gentle fingers before finding the appropriate device to play them on. At first, some had been too loud, too piercing that hurt her head and she couldn't turn off the machine fast enough. But others she found more soothing, something akin to what she'd remembered her parents requesting for garden parties and cocktail hours: nothing that would be formidable enough to land itself on the playlist for a ball, but music meant to supplement good conversation and ease the nerves. Even if, at the present, there was none of the former and the latter was a challenge to come by.
Until she'd had the brilliant idea, two glasses of rum in, to slip off her heeled sandals and spin in her bare feet on the wooden floor to the music.
It wasn't quite dancing. The tempo was slow and unless one wished to look ridiculous, a partner was necessary. But the glossy floor felt slick and pristine beneath her feet, making it all too easy to turn in her summer-weight dress, one that fell to the knee in layers of lilac chiffon that spun with her as she twirled. No petticoats or hoopskirts, diamonds or heels. Just the pearls that adorned her ears and neck, light attire, and a gentle tune. Twirling with all the muscle memory she could recollect from years of dancing lessons, Sonia wondered that, after all the pressures and mistakes she'd made at Versailles, this was what Marie Antoinette must have felt like at Petit Trianon. But instead of a luxurious French cottage with fields of wildflowers and fresh milk every day, her refuge was a music venue that referenced breasts.
The times had changed. But not enough that when a monarch sought solitude, they'd be left in peace.
"Naegi-san?" She inquired at the shadow that darkened the venue's doorway, coming to a stop. It was only a matter of time until she was found, even with the few inhabitants currently conscious. But a recent meal, the liquor, and the music that reminded her of home had given Sonia a temporary sense of calm, a short time when her memories could be suppressed instead of flooding through her like an endless nightmare. She extended a hand towards him for him to take. "You've found my hiding place. Am I needed somewhere, or would you like to dance instead? Such a song is meant to be danced with a partner."