Art by Leonora Carrington, 1952.
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Art by Leonora Carrington, 1952.
"The body is but a vessel. The mind, a gate. The soul: a prism refracting infinite realms. To read the universe, turn inward and let inner worlds become your scripture."
Not all illumination is gentle. Some truths arrive with teeth, demanding courage before understanding.
Poodles have human-like eye spacing. By Place of Weird.
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Ink Wash on Bockingford 28x38cm
meeting the creator of this world
King Baal: In the tradition of the Ars Goetia, the first section of the 17th-century grimoire known as The Lesser Key of Solomon, King Baal (also spelled Bael) is the first spirit listed among the 72 demons and is no accidental. He's the King, who command 66 Legions, and the first spirit of the Goetia. In ceremonial magic texts, Baal is described as ruling over a vast number of infernal legions. In occult symbolism, “legions” don’t necessarily mean literal armies, they often represent domains of influence or spiritual forces. Being listed first suggests primacy, seniority, or foundational status within the hierarchy. Baal appears with three heads: A toad, a man, and a cat. Three heads in occult symbolism often imply layered perception, divided domains, or composite power. Medieval demonology loved hybrid forms, they represent fractured order or inverted creation. The grimoire claims that Baal grants invisibility, gives wisdom or cunning, and provides knowledge to the summoner. “Invisibility” in occult language symbolize literal concealment, influence without detection, acting unseen and operating beneath perception. The name Baal comes from ancient Semitic religion, especially Canaanite traditions, where “Baal” simply meant “Lord” or “Master.” It was a title used for various deities, particularly storm and fertility gods. Over centuries, as monotheistic traditions developed, rival gods were reinterpreted as demons. Baal transitioned from regional deity to infernal king in later christian demonology. Baal becomes a symbol of hidden authority, fragmented identity, the power to move unseen and the transformation of former gods into demons. Many “demons” in grimoires are echoes of older gods reframed by new theological systems. Mythology is political memory wearing horns.
Art by Pete Katz