'Assassin and Victim' by Jeanne Mammen, (1890 - 1976).
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'Assassin and Victim' by Jeanne Mammen, (1890 - 1976).
A structure shaped not for passage,
but for lingering.
Powdery stone,
shell-like tiers,
quietly holding space beneath the water.
Aqua Utopia
Unique underwater digital artworks & NFTs、Aqua Utopia A dreamlike underwater world of silent architecture and drifting light. Every piec
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LOTUS (2025)
Painting: Acrylic on Canvas
Dimensions: Height 73cm, Width 60cm
The central lotus is bold, radiant, and dominant, acting as the spiritual heart of the image. Smaller surrounding blossoms echo it like voices or states of consciousness, forming a kind of cosmic mandala.
The flowing, calligraphic forms—evocative of glossolalic language—float across air and water like mantras or vibrations. They act as a sacred script, not meant to be logically understood but felt through the heart or body.
• Their presence creates a ritual dimension, suggesting this is not just a landscape, but a living vision.
• Some signs rise, others descend—indicating movement between realms, a descent and ascent, like breath or prayer.
Tras caminar bajo las estrellas, me di cuenta de que yo no estaba hecha para bañarme en su luz. Si me adentro en el bosque, quizás encuentre mi camino.
¿Me acompañas?
🌲✨🌲✨🌲
A detail from Gravity by Italian artist Luca Morselli.
A lone greyhound crosses an empty, reflective surface. There is no movement around it, no horizon to anchor the eye—only silence, weight, and the suspended breath of a world that has paused. The body is tense and fluid at the same time, as if the dog were both searching and remembering. Its reflection doubles the presence: one real, one imagined.
Morselli’s work often explores states of balance and disappearance, where bodies seem to exist on the edge of gravity, memory, or light. Here, the greyhound becomes a symbol of instinct and fragility—moving forward even when the ground feels uncertain.
Few subjects carry stillness with such intensity.