#everyedition

[garadinervi]

Cornelia Hesse-Honegger, Warja Lavater: Leidenschaft und Vernunft / Passion and Reason, Concept and design by Vieceli & Cremers, everyedition, Zürich, 2026 [Art: © Warja Lavater]

[drawdownbooks]

SHIPPING WORLDWIDE⁣ Joy Division fans, pop culture fanatics, and music-loving designers, take note.⁣ ⁣ Division of Pleasures⁣ Available at www.draw-down.com⁣ ⁣ Forty years after the release of Unknown Pleasures, the band’s debut studio album, design studio Vieceli & Cremers presents Division of Pleasures. The album’s cover artwork was designed by artist #PeterSaville using a data plot of signals from a radio pulsar. Taking this image as its theme — one which has since triggered countless interpretations and reprocessings as a globally recognized pop-cultural trope — the book features 136 pages of recreations, installations, modifications, transformations, pre-digital memes, repetitions and differences, and differences in repetition.⁣ ⁣ #JörgScheller #everyedition #GraphicDesign #JoyDivision #thesmiths #nineinchnails #unknownpleasures #robertsmith #postpunk #lovewilltearusapart #morrissey #isthisit #neworder #pinkfloyd #joydivision #joydivisiontattoo #joydivisionforever #joydivisionfans #supremejoydivision (at England) https://www.instagram.com/p/B-5GjcQnvCt/?igshid=isgwauwuosxk

[garadinervi]

John Wood and Paul Harrison, how to write a book, Edited by John Wood, Paul Harrison and Sebastian Cremers, everyedition, Zürich, 2024, Limited to 50 unique pieces, individually written, numbered and signed by the artists [© John Wood, Paul Harrison]

[garadinervi]

John Wood and Paul Harrison, a book, obviously, Edited by Sebastian Cremers, John Wood and Paul Harrison, Concept and design by Sebastian Cremers, everyedition, Zürich, 2022 [© John Wood, Paul Harrison]

[kunstkioskzh]

Stettler, Bruno. Corinne. Coco Colli Acid Everyedition, Zürich. 2020. 4°. OBrosch. (mit Banderole) 160 S., Photos by Bruno Stettler 1980-1986. Concept and Design by Chris Eggli, in collaboration with Vieceli & Cremers. Advice and support by Lurker Grand #corinne #brunostettler #lurkergrand #everyedition #photobook #photobooks #kunstkiosk #kunstkioskimhelmhaus https://bit.ly/2HoTan6 (hier: Zürich, Switzerland) https://www.instagram.com/p/CGpVkzAlNsC/?igshid=gmc7ynrdw9t1

[printed-n-bound]

336 Pages 336 Books *

제목: 336페이지, 336권의 책 언어: 영어 발행처: 에브리에디션, 취리히(Everyedition, Zurich) 편집&디자인: 타니아 프릴(Tania Prill), 알베르토 비어슬리(Alberto Vieceli) 외 발행일: 2014년 4월 14일 (초판 2013년) ISBN: 2867254081586 페이지 수: 336 크기: 151 x 105 mm 가격: €19.5

“이 336페이지 책을 위해 우리는 336개의 완고하고 강직하며 유머가 있는 페이지 번호들을 찾고자 각기 다른 시대의, 각기 다른 주제와 논점을 지닌 수천 권의 책들을 보았다. 하나의 펼침면에서 두 개의 페이지는 그것들이 놓인 방식에 따라 서로를 마주하면서 영향을 주고 받는다. 이 페이지들 전체가 책들의 세계가 지니는 시각적 다양성을 반영한다.”

모든 방향들이 이 프로젝트를 위한 영감이 된다. 이 책의 극적 구성과 구조는 자기참조적 접근 속에서 책의 표현형을 다루는 조지 브레히트(George Brecht)의 멋진 책 “책”을 참조한다. 제목은 에드 루샤(Ed Ruscha)의 아티스트 북에서 영향을 받았다. 그의 책 제목들은 내용을 서술하곤 한다. “336 페이지 336권의 책”에 대한 근본적인 개념은 브람 스토커의 “드라큐라”(1967) 243페이지를 읽던 순간으로부터 비롯됐다. 문헌 자료들의 인덱스가 담긴 리플렛이 책에 동봉되었다.

* 에브리에디션 웹사이트 설명 인용 번역

* 사진 출처: 에브리에디션 웹사이트

에브리에디션 링크

[drawdownbooks]

336 Pages 336 Book

A diminutive book with a black binding, its precisely 336 pages each show an extreme close-up of the numbered portion of a page from one of 336 different books from the past century and more. The concept and design by Tania Prill, Alberto Vieceli and Sebastian Cremers is light-hearted and enigmatic, while simultaneously also a fascinating exercise in bibliophilic and typographical pursuits. The composition and structure of the project reference George Brecht's work, while the title is inspired by the artist books of Ed Ruscha, which make the content of a volume transparent. The concept for the book apparently originated during the reading of p. 243 of Bram Stoker's Dracula. Published by Everyedition. Printed in an edition of 400 copies. Hardcover, 336 pages.

[drawdownbooks]

336 Pages 336 Books

A diminutive book with a black binding, its precisely 336 pages each show an extreme close-up of the numbered portion of a page from one of 336 different books from the past century and more. The concept and design by Tania Prill, Alberto Vieceli and Sebastian Cremers is light-hearted and enigmatic, while simultaneously also a fascinating exercise in bibliophilic and typographical pursuits. The composition and structure of the project reference George Brecht's work, while the title is inspired by the artist books of Ed Ruscha, which make the content of a volume transparent. The concept for the book apparently originated during the reading of p. 243 of Bram Stoker's Dracula. Printed in an edition of 400 copies. Hardcover, 336 pages.