Apr 21, 2017
The Exhibitionist: Journal on Exhibition Making the First Six Years
Edited by Jens Hoffmann, Julian Myers-Szupinska, Liz Glass
Call # 707.40687 E94 2017
seen from United States
seen from China
seen from United States
seen from United States
seen from Brazil
seen from Netherlands
seen from United Kingdom
seen from China
seen from Australia
seen from Malaysia
seen from United States
seen from United States
seen from South Africa
seen from Malaysia
seen from Netherlands
seen from Malaysia
seen from South Africa
seen from United States
seen from United States
seen from Malaysia
The Exhibitionist: Journal on Exhibition Making the First Six Years
Edited by Jens Hoffmann, Julian Myers-Szupinska, Liz Glass
Call # 707.40687 E94 2017
From the beginning, it was more a refusal to be an object-producer; I always felt that an exhibition is not just an arrangement of objects but also an act of creation. In 1988, Pierre Joseph, Bernard Joisten and I did a show at Le Magasin called ‘Siberia’, which we displayed in a shipping container. I made two videos, Bernard did silver paintings and Pierre included photographs: the works and the display were one and the same thing. Later, I met Liam Gillick who had come to review a show I had in Nice for Artscribe; we became friends, and the conversations I was having in Grenoble about how to create attention in a space continued. I’m still interested in this idea.
Frieze Magazine | Archive | My Influences: Philippe Parreno
Charlotte Cheetham French curator in graphic design, Manystuff.org
Second Story Media Lab exploring the possible application of depth sensing cameras in an exhibition setting. This technology unlocks the potential to pace and reveal interactive type and imagery based on proximity, opening up an exciting new range of museum visitor experiences.
Graphic Design: Now in Production Opening-Day Talk: Already in Progress. Pecha Kucha series.