Hexi: Responsive Wall
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Origami Around
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Hexi: Responsive Wall
Textscapes
"A generative typographical landscape. The contours of which are in constant flux."
Walker on the Green: Artist-Designed Mini Golf in the Minneapolis Sculpture Garden
From MAD:
An interactive exhibit exploring the role of museums, curators, and the general public in validating what is and what is not design, Museum as Plinth: Take One/Leave One stages a “take and leave” shelf of objects in the MAD lobby. Over the course of a weekend, museum visitors are invited to take an object and replace it with one of their own— simple ephemera from their pockets or a special piece that they brought with them. Each object on the shelf is given a sticker "From the Collection of the MAD Museum" and, in effect, admitted to the museum's collection. The concepts of exchange, value, and status come into play. Crafting an evolving collection, to be documented in an online catalogue and thematic stories published on the day’s blog and social media outlets,Museum as Plinth: Take One/Leave One continues the debate of hierarchies and value within the museum context.
The 18 minute "Connecting" documentary is an exploration of the future of Interaction Design and User Experience from some of the industry's thought leaders.
Mevis & Van Deursen on the Stedelijk Museum identity redesign
Killian Martin and Brett Novak are back at it.
This fjord in south west New Zealand is called the "Doubtful Sound." And, it looks like this. ...yeah, I know!
Time lapse installation of Barbara Kruger's "Belief + Doubt" Hirshhorn show. Opens 8/20. "At a moment when ideological certitude and purity seem especially valued, Kruger says she's 'interested in introducing doubt.'"
Aphoristic thinking is impatient thinking: by its very brevity or concentratedness, it presupposes a superior standard.
Susan Sontag on Aphorisms and the Commodification of Wisdom
Work From California exhibition now on display at Brno. Curation and exhibition making by Jon Sueda, Stripe SF. Entrance typography by MacFadden and Thorpe.
Confrontations – Contemporary Dutch Design exhibition, Art Basel and Design Miami Basel
"The exhibition space itself has nothing in common with a White Cube. Instead, Catalogtree designed an installation that reminds of a production site."
“How could the waves do it, through each and every moment, and so naturally, as if it was for the first time, as if it was for the last time, as if it was for the middle time, as if it would go on forever, and as if it would one day end. The sea moved forward and back with all these possibilities, and all of them were true.”
Shelia Heti, How Should a Person Be?, pg 230