Discover Top Posts Tagged with #exired

Q&A: Expired Eight /w Braca Nadezdic

This is the twelfth edition of our Q&A blog series titled "The Expired Eight". Our aim is to highlight instant film photographers using expired film in a variety of formats. Today's Q&A is with Braca Nadezdic. Nadezdic is a Belgrade/Serbia based commercial and editorial photographer who is regularly commissioned to work on a variety of fine art, advertising, corporate and editorial projects. Connect with Nadezdic on Behance and Flickr!

Tell us about when instant film came into your life and what inspired to you to keep using it: Instant film appeared in my childhood, all the more important events of family, school, vacations, everything was immortalized by Polaroid film. I'm always with a great deal of delight watching the birth of photography in this small piece of plastic. Over time, Polaroid was replaced by color film and slowly went into oblivion. Most people never even felt when Polaroid completely disappeared from our lives. I think that is a huge loss for everybody who wants to catch the moment. This was followed by years in which I have dealt with professionally photograph, first on film, and digital. 2010. I felt saturation of digital technology and returned to analogue technology, among them the Polaroid. How would you describe your work? My professional work does not have much in common with the work on analogue technology, which includes portraits. Nowadays requires speed, accuracy where unfortunately analogue photography excluded. How did you decide what subjects to photograph? What sorts of things capture your attention? It is enough to attract me some gestures on the face, that face has its own story and that's all.

What types of Instant Cameras do you own? Which one is your favorite and why? I own Polaroid SX-70, Polaroid 350, Polaroid 180 modified with Xenar 135mm for close ups, Polaroid 195, Speed Graphic with Aero Ektar lens for Polaroid 55 and Sinar P8x10 with few very old lenses for Polaroid 8x10. I Don't have favorite camera, how the mood takes me, so I choose a camera.

What attracted you to the 8x10 polaroid format? Unfortunately, I found Polaroid 8x10 late, but ceased production of the same. The first time I saw Invivo Polaroid 809 at my friend studio and it was love at first sight. I went to looking around the internet and started full refrigerator. Luckily I already got Calumet processor and the game began.

What are the main difficulties and hurdles obtaining and using expired film in this format? I do not look at it as a difficulty, but as a fun experiment that can almost always pleasantly surprised me. Sometimes I'd like to have a fresh package of 803s or 809, but I am pleased with the sudden sense that I get. Any tips for those interested in experimenting? Always overexpose one stop expired 55 or 8x10 to get right exposure. Older film push two stops with no problem. Colors will be shifted because of aging. Don't afraid to lift emulsion on 809. If you want solarize effects on 55, develop for about 10-15 sec, peel apart and then put negative in front of powerful flash, re-flash, leave the negative for a couple of minutes before putting in the water. You will be surprised. Do you have any instant photographers that inspire you? Paolo Roversi and Sarah Moon.

Q&A: Expired Eight /w Marisa Redburn

This is the eleventh edition of our Q&A blog series titled "The Expired Eight". Our aim is to highlight instant film photographers using expired film in a variety of formats. Today's Q&A is with Marisa Redburn. Redburn is a fine art photographer and multimedia artist, with a focus on film, darkroom and alternative process. Her works' aesthetic is recognizably cinematic-noir; dark and enigmatic, ambiguous, visceral, and evocative. Capturing icon, metaphor and archetype in surreal scenes and allegorical vignettes. Her artist's credo embraces beauty that is imperfect, impermanent and incomplete. Connect with Marisa on her website and Flickr!

Tell us about when instant film came into your life and what inspired you to keep using it? Being a child of the 80’s, Polaroid was at every birthday party. I grew up with Instant Film and loved it: the sound of the charge, the blinding flash, anxiously anticipating the image. The instant photograph was magic and an artifact that embodied a moment. Leaving an instant image in a tangible form. It wasn’t until 2002 that I started shooting large format and started shooting Type 55. At this point Polaroid was still in production so I was shooting some type of Polaroid at every shoot. I’ve continued to use Polaroid because it allows me to experiment with a one of a kind tangible outcome. Something palpable, tactile, something I can hold/manipulate, something real. Evidence.

How would you describe your work? Allegorical narrative vignettes, cinematic and poetic, noir-dark and illusory, gritty, visceral. What is revealed and what is hidden...a forgery, a mark of time, a hallucination.

How did you decide what subjects to photograph? What sorts of things capture your attention? In terms of subjects as themes, it’s the duality of light and shadow that I’m drawn to, as well as metaphors and symbols. The contradiction is always what captures my attention, whether it takes the form of a person, object, or place...

What types of instant camera do you own? Which one is your favorite and why? I own a Polaroid 545 Back, Polaroid Land Camera Automatic 210, Holgaroid, Polaroid Electric Eye 900, Polaroid Big Shot, Polaroid SX- 70, Polaroid Land Camera Model J66, and a Polaroid Spectra 2. As far as my favorite, I would say, I love them all. My Polaroid 545 back has had a lot of use and it is a must have for large format. I use the 545 back with a Sinar and a Crown Graphic 4x5 Press Camera and shoot all large format Polaroid with it. I also love my Land Camera Automatic 210, its perfect for 665’s. The SX-70 is another favorite. It’s classic, versatile, has focusing ability...it’s a must have!

What attracted you to Type 55? What motivates you to use it almost exclusively? What attracted me to Type 55 and motivates me to use it is that it allowed me to experiment and to have instant gratification with large format. For me, large format is very methodical and control oriented, whereas Type 55 is very spontaneous. Another aspect that appealed to me creatively is that each shot results in a positive and a negative. I like having the option to further experiment with either the positive or negative (or both), as well as having an infinitely reproducible negative. The positive is an artifact in itself and is usually coated/fixed, but I decided to not coat my positives. This allowed natural aging and decomposition over time. The transient nature of Type 55 allowed something to happen out of my control, that indeterminacy has become a part of my work.

What are the main difficulties and hurdles obtaining and using expired film? The main difficulty obtaining and using expired film is the limited quantity. You kind of have to take what you can get. Cross your fingers it was stored correctly. You are gambling on the film still being good, which may or may not yield favorable results. Although you can still find Type 55 and many expired Polaroid film types on Ebay, it’s expensive and it’s always a risk.

Any tips for those interested in experimenting with instant film? I would say shoot a lot and don’t be afraid to make mistakes. Throw caution to the wind, take risks, you’ll find something you couldn’t have found otherwise. Don’t listen to anyone, let go of expectations and trust your intuition. Get out of the safe zone and do something you never thought about doing. Reinvent yourself and most of all, always be a beginner.

Do you have any instant photographers that inspire you? Simon Larbalestier is at the top of my list . He is a true inspiration for me and his work introduced me to Type 55 Polaroid. As a young photographer, I listened to a lot of music and was addicted to the work he did for the 4AD Record Label. I was in awe of his work, gritty and beautiful at the same time. Below you will find a link to his site as well as a few other instant photographers I find inspiring... -Simon Larbalestier -Scott Irvine -Sarah Moon -Paolo Roversi -Kathleen Naundorf -Wendy Bevan -Guy Bourdin -Helmet Newton