#expos

[detournementsmineurs]

"Installation" (détails) de l'exposition "Objets Divers et Variés" de Song Dong au Bon Marché Rive Gauche, Paris, janvier 2026.

[skycowboys]

Come find me at the Minnesota Horse Expo this weekend! Booth S314 in the sheep building (by the pony rides).

I only have a few copies of Greenhorn Trail Vol 1. left!

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Discord | Artbook | Web Comic | Patreon

~ Larn

[stone-cold-groove]

Vintage postcard - Ford Exposition at the Texas Centennial Dallas 1936.

[kedreeva]

Actually had mice to take to a reptile expo for the first time in MONTHS (between selling out immediately after listing any mice and taking my end-of-year break, I simply haven't had enough mice to make it worthwhile to bring them since last summer!), and had a blast again. It seems like every time I bring them, there's never a single second where there's not someone at my table.

It's very funny to me that I have to put out a sign that says "these are PETS not feeders" and how often someone starts to walk by, sees the sign, and comes over. I actually have a whole Display Sign that has info about my mice, why they are different, how to handle them, and like a dozen photos of some of the beautiful mice I've had, and I catch people stopping to actually read it, too. The font is pretty big, but it's juuuust small enough they have to come a little closer, close enough I can hold a mouse out to them.

I've also learned that people don't always believe me when I say the mouse won't bite or jump off their hand. I see the tension, I see the anxiety. I tell them, they've been bred for this. I have told people, I will pay you $5 if this mouse bites you, I'm that confident, because I wouldn't bring them if I thought they might. But the only thing that really gets through to some people is to just plain show them. Close my fist around them (gently, but firmly enough I can flip them upside down securely), scrub them up, smoosh my face to them, rub a finger on their cheek/jaw/mouth. Nothing happens. At worst the mouse is lightly inconvenienced for a moment. But the transformation that comes over the people who see it is complete and instant. A visual "oh." moment. They relax completely, which makes their handling experience so much better. People straight terrified to hold a mouse in the first place hold out their hands for one. Small children who said no thank you (which I always respect, I have even told parents no, it's okay if they don't want to hold one, we have to respect their no thank yous too) will often ask if actually, can they can hold one?

I had one little girl who held a mouse that was a little squirmy at first because the girl was holding just a liiiittle too tight, and she was having trouble for a few seconds, but I kept an eye on her in case I needed to intervene, and she quickly figured out to be more gentle, and the mouse quickly figured out she was fine actually, and she ended up flopping down in this girl's hand and getting her face and head rubbed while she bruxed for like twenty minutes. I was surprised she didn't go home with a mouse, but I have a feeling I may see her family again.

I also had some guy ask if I wanted to be on his reptile podcast, for the mice, because he never knew there could be a difference between feeder mice and other mice. So I guess we'll see!

[indeedgoodman]

[andrewseto]

Andrew Seto : Folder

Une des quatre installations autour du dessin

Curateur : Dani Issler

Vernissage : jeudi 12 mars, de 17h à 19h30

Du 12 mars au 29 avril 2026

AU PASSAGE

Passage Sainte-Anne

75002 Paris

[oye-anye]

REFLEJOS — Mirror Screenprint Illustration

Year — 2021 Client — Personal Project / Taller 108 Category — Illustration / Screenprint / Exhibition Artwork Medium — Mirror Screenprint with Gold Ink Tools — Procreate, Adobe Photoshop, Screenprinting

Video — https://www.youtube.com/watch?v=T2F8qOvQoA8&t=1s

Description — Illustration created for Reflejos, a collective exhibition organized by Taller 108, where invited artists developed artworks designed to be screenprinted directly onto mirrors.

The concept of the exhibition revolved around "reflection" —both literal and symbolic. My piece explores the idea of how women see themselves reflected in other women, recognizing shared emotions, fears, and strength.

The illustration portrays a female face whose eyes are intentionally left unprinted so the mirror remains visible. In that space, a poem is placed so that viewers encounter the text while looking at their own reflection. As people stand in front of the mirror, their eyes become the eyes of the illustrated figure, completing the piece.

The text reads:

“En tus ojos veo miedo, me veo, veo fuerza y no es más que nuestro reflejo. Ahora mírate, mira cómo vivimos en tus ojos.”

The poem was designed to be read both from top to bottom and from bottom to top, maintaining its meaning in either direction. This interaction invites the viewer to recognize themselves within the work, transforming the act of reflection into a moment of shared identity and introspection.

— Anye Quintero Visual Work Archive