Hiding Truth behind Shock Value
(Or how our emotions blind us to what is right in front of us)
So, I'm still here, I might never leave, whatever.
This is kind of a second part to my Truman Show post on how conformitygate is holding a mirror to the audience with this very elaborate stunt the team behind ST is trying to pull out (I hope they manage). I'll be mixing some generalities with personal stuff that I think useful to explain my points. If you'd like to read a more objective view on this I recommend reading this amazing post by @mymusingss
Okay, first of all, I won't claim I haven't fallen victim to many of the baits that they threw our way. I've repeated the cycle at least 4 times since the release of Vol 1, but proudly, every time I've managed to come to my senses and I course correct when presented with new evidence. This is me at the end of every stage of this very long journey.
Tbh honest, I didn't realize what they were doing until I boarded the conformitygate bus and now I can't believe the actual scale of this. Let's go back to the beginning
The Excitement
It might be a shock to many that I didn't actually enjoy my first watch of Vol. 1, which many point out as the last good portion of the show. I'll be very frank here, I think that notion comes from the fact that we were given Byler crumbs to distract us. Don't get me wrong, I was happy with those too, smiled every time Mike and Will were together for the smallest amount of time, got so excited at the end of Sorcerer, but there are also important inconsistencies there, which only make sense if they serve a bigger purpose (conformitygate, if the clarification was needed).
The biggest one for me is that they are even allowed to do the crawls. The government has been looking for Jane, and they know she has a relationship with the Byers, they sent soldiers to their house in Lenora while looking for her. Isn't the easiest way to get to her to capture them and use them as bait? Food for thought. Also, are we meant to believe the government didn't know about the tunnels at all? Something is missing.
I also felt like there were too many unnecessary sequences. First, as much as I came to like Holly and Derek, I felt like way too much time was spent on the kids. It took an eternity for Holly to meet Max. Why even include a full dozen of new characters and try to make them relevant when you have already so much to cover?
Last about Vol 1. is the radio sequence in the beginning. Cool way to deliver a secret message? Yes, except it makes no sense when they still meet at the radio station for a debrief! It would have been smart if they weren't able to communicate before taking their respective positions. Again, useless, unless the message was meant for the audience instead of the characters. Someone already analyzed that message with conformitygate lenses but as I'm always rushing I didn't take notes. If anyone knows the author of that post, please give credit.
So, Vol 1. was already weird for me, but I suspended my disbelief and boarded the hype ship for Byler scenes to happen in Vol 2
The Disappointment
Aside from Byler Nation receiving the first hit of this plot, the one complaint among the GA, the bigoted section at least, seemed to be the coming out scene, but I think they were still satisfied in general. This was a mystery to me because everything seemed to be going wrong; i even made a very pessimistic prediction of where things were going following that path (I got the most devastating part right, mind you). Then, wearing conformitygate lenses, I realized, that once again they gave enough crumbs to keep the audience mostly pacified. Lumax reunited, Dustin and Steve making up, Steve being the one to come out with the plan, even that scene of Karen killing the demodogs, which is very cool on a first watch but makes absolutely no sense. Have you ever tried carrying one of those tanks on your best days?
The Sadness
The first watch of Vol. 3 was actually painful. I was just begging for a small bit of hope for Byler because the rest was awful, sprinkled with intense emotion induced moments to distract us (Steve falling, Nancy playing Ellen Ripley, Joyce saying her badass words). There was a point in which I was just begging for it to end and there was still one hour to go.
I wasn't as angry as I was sad, for Mike's character specially, but I had been blinded by my desperation for Byler and this time actually overlooked the enormous inconsistencies. Fortunately, after shedding some tears and filtering my emotions through written words (never attacks on anyone thank you very much), I found a post about the WSQK still transmitting, boarded this bus, and here I am after all the false starts. In conclusion
What I'm meaning to say here is that we've been repeating the cycle time and time again, affected in different ways, but we really need to take a breathe, one step back and try to look at stuff with more objectivity. All these evidence has to mean something.
I really don't think acting on negative emotions does good to anyone. I already expressed my opinion on some of the anticonformitygate arguments that keep resonating in this reblog, and I'll add something very harsh here: The Duffers don't give a shit about the hate thrown at them. Either conformitygate is real and we've played a part in this huge meta analysis of the fandom (but we at least get a satisfying conclusion) or it's not real and they still have their millions and a series of projects lined up. Remember there is no such thing as bad publicity.
As for tomorrow, the 14th, I think I've finally found some serenity in the wait. I feel like I've become the bus.













