#fanglijun

[moma-prints]

1996.11, Fang Lijun, 1996, MoMA: Drawings and Prints

Anna Marie and Robert F. Shapiro Fund Size: composition and sheet: 47 7/8 × 31 1/2" (121.6 × 80 cm) Medium: One from a series of five woodcuts

http://www.moma.org/collection/works/296904

[harvard-art-museums-prints]

1998.11.2, Fang Lijun, 1998, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Margaret Fisher Fund © 1998 Fang Lijun Size: sheet: 120.9 x 81.5 cm (47 5/8 x 32 1/16 in.)

https://www.harvardartmuseums.org/collections/object/143022

[moma-prints]

Ink-and-Wash Painting No. 16, Fang Lijun, (2004), MoMA: Drawings and Prints

Committee on Drawings Funds Size: 14 5/8 x 17" (37.1 x 43.2 cm) Medium: Ink on paper

http://www.moma.org/collection/works/108389

[moma-prints]

1996.12, Fang Lijun, 1996, MoMA: Drawings and Prints

Anna Marie and Robert F. Shapiro Fund Size: composition and sheet: 47 7/8 × 31 1/2" (121.6 × 80 cm) Medium: One from a series of five woodcuts

http://www.moma.org/collection/works/296905

[moma-prints]

Ink-and-Wash Painting No. 11, Fang Lijun, (2004), MoMA: Drawings and Prints

Committee on Drawings Funds Size: 17 3/8 x 15" (44.1 x 38.1 cm) Medium: Ink on paper

http://www.moma.org/collection/works/108388

[moma-prints]

1996.11–15, Fang Lijun, 1996, MoMA: Drawings and Prints

Anna Marie and Robert F. Shapiro Fund Size: composition and sheet (see child records): dimensions vary Medium: Series of five woodcuts

http://www.moma.org/collection/works/100561

[moma-prints]

Ink-and-Wash Painting No. 3, Fang Lijun, (2004), MoMA: Drawings and Prints

Committee on Drawings Funds Size: 54 1/2 x 28 1/2" (138.4 x 72.4 cm) Medium: Ink on paper

http://www.moma.org/collection/works/108387

[300artistascontemporaneos]

LIJUN, FANG (China, 1973)

Este artista pertenece al movimiento chino llamado realismo cínico. Busca la expresión del pensamiento individual entre todo el contexto de revolución cultural colectiva. los problemas sociales y económicos que azotaban el país provocaron la búsqueda por una utopía donde pudieran crear el arte que quisieran sin limitaciones de ningún tipo. Fang es el pintor de las cabezas calvas. En China los calvos son vistos como bobalicones, entonces es un simbolo que utiliza para críticar las suposiciones que hacemos y los prejuicios superficiales.