FASACH,GLENDALE,ISLE OF SKYE,SCOTLAND. by ANDREW
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FASACH,GLENDALE,ISLE OF SKYE,SCOTLAND. by ANDREW
@winterofthedarkestlight replied to your post “I wrote a thing?”
I'd be willing to help you out. I'll DM you with contact information.
@fasach replied to your post “I wrote a thing?”
That sounds fun!!
@floggingink replied to your post “I wrote a thing?”
HERE'S a human
Thanks a bunch to everyone who’s volunteered for this! If you haven’t yet, message me with your gmail, and I’ll share the doc with you and send out questions on the structural aspects that I’d like feedback on. Your help is so appreciated!
fasach replied to your post “it’s opening night and i’m a giant ball of anxiety who had an...”
Hugs hugs hugs, deep breath, you can do this! I'm so excited for you!
thank you very much!!! opening night went really well. tomorrow the playwright is coming to see the show though so that’s still pretty terrifying, but the fact that opening night was successful is definitely helping me keep calm
trying to translate color words like
I looked, and behold, a snot-colored horse; and he who sat on it had the name Death; and Hades was following with him.
top five songs!
boy you all really want me to bleed for these top 5s don’t you. well you asked for it!
Top 5 Songs Of All Time, swan shapechangersinwinter edition
“Flightless Bird, American Mouth” by Iron & Wine
“Hymn to St. Cecilia” by Benjamin Britten
“I Can’t Make You Love Me/Nick of Time” by Bon Iver
“Deh vieni, non tardar” from Le nozze di Figaro by Wolfgang Amadeus Mozart
“Telling Ghosts” by Puscifer
HAPPY BIRTHDAY SWAN! I hope you're having a great day!! What sort of music is forest green?
thank you thank you thank you!
mm, green is a very versatile color and dark greens even more so. they can tend organic-earthy-acoustic (as in “Resurrection Fern” by Iron & Wine, which is mostly deep dark green with soft blue night-coming-on shadows) or they can swing totally grungy and distorted (as in “Telling Ghosts” by Puscifer, where that dark green is shot through with amp tube glow in vivid orange and red). possibly it’s that green is in sort of an in-between place, emotionally, so you can push it in lots of different directions depending on shade/tint/saturation.
fasach replied to your post “Cartinelli 25!!”
THIS IS PERFECT AND AMAZING AND I LOVE IT
:D
Cartinelli 25!!
25. “I can’t believe you talked me into this.”
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It takes a lot of conscious effort not to turn this into a very intense kiss. Angie loves this, the sweet, light pressure of Peggy’s lips against her own, but she can only take so much before something must be done, before she’s tempted to drag Peggy toward the nearest flat surface- horizontal or otherwise.
But there is a reason for this, she reminds herself, hands framing Peggy’s face reverently.
“I can’t believe you talked me into this,” Jarvis declares, accompanied by the flash of a camera.
“We can’t very well take our own photo like this,” Peggy says, tightening her hands on Angie’s waist. “Perhaps in the future, we may be able to.”
Whatever response Jarvis may have had is lost in his sudden attempt to flee the room in the face of Peggy moving her hands further downward, pushing Angie against the nearest wall, and diving in for a better taste.
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send me a pairing and a number, and i’ll write you a drabble