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This is how the Byleth/Constance supports feel to me
March 20th, 2025
Silly poll time
Who would you have tea with?
Ferdinand (has imports from far off places)
Lorenz (has the fanciest teasets)
Mercedes (makes and brings appropriate snacks!)
Constance (makes the tea sparkly colours)
I know you can have tea with absolutely anyone, but I can't think of tea related propaganda for everyone else. Plus this is neatly one per house
Is there a Church person for tea...? I know Rhea does the tutorial, but I don't remember her doing tea stuff after that...?
Bunny Constance
I made a bracelet out of a phone charm that I bought off of someone from Etsy.
The phone charms string eventually wore out and broke, so I repurposed the charm.
I was going to credit the person who made the phone charms, but then this popped up when I clicked on the link to the shop.
constance was the one who suggested a historical-themed campaign...
[thinking about Constance von Nuvelle perhaps too hard] Her sunshine self says she has absolutely no hope in restoring House Nuvelle, but simply persists because she has nothing else to do.
Isn't that a form of Noblesse Oblige? She's only doing it because it's what's expected of Constance von Nuvelle, and she may be Constance but she's also her own person. Maybe she'd be less miserable if she wasn't forcing herself to do something out of sheer obligation.
Painting, maybe. Constance (Indoors Forme) is a hyperactive mad scientist flitting from one project to the next, but Constance (Outdoors Forme) is so dour, quiet, and contemplative that she'd probably have the exact temperament that'd make her suitable to capture a still life for a couple of hours.
She's an eccentric with a fondness for bright colors - iridescent teas and blooming flowers - imagine her taking oil paints and embracing that sort of neon style where everything's drawn in a cacophony of colors, which all somehow melt together perfectly to make a portrait of something ordinary bursting with color.
The kind that takes a very keen eye for color to achieve - blending blue, green, and red to paint the moon because each patch of color has the same brightness value, the same tone; an underlying harmony that makes it look easy.
You can easily imagine Constance's concentration that she can't replicate the painting, even though as far as she remembers, she literally just did this.
(She's energetic and impatient, her sense for "mix gently" and "let it dry for a moment" are completely different to her other self's).
Or, you can imagine Constance's (it's confusing they have the same name, bear with us) small rush of pride in having actually excelled in something for once. A weak smile on her face, unable to deny the praise she receives - Ignatz admits he's never seen coloring so eccentric, but that it undeniably shows a masterful grasp of the fundamentals.
Oh, and she paints the full moon because sunlight Constance has never been conscious at night. Her feelings of yearning really power the piece, y'know...?