#feenkonigin

[unfortunately-a-fangirl]

101 Ways to Be Rid of...

Released in 19B7, 101 Ways to Be Rid of... or 101 Ways is the Thirteenth studio Album by Feenkönigin. Written as a tongue-in-cheek response to a letter by a disgruntled fan, 101 Ways tells the story of a fan angry at the band for trivial reasons (such as the capitalized "N") devising of various plans to try and kill every member of the band and being thwarted by coincidence, ending in a concert being crashed into by a jumbo jet. Peggy Sue and Barbara Ann have said in interviews following it that they both considered this album to be the most fun to make, with Brandy enjoying the use of various non-standard items as instruments such as a plunger, a head of cabbage, and a lamp.

The Album includes the following songs:

To Whom it May Concern

A Gentle Ram

A Soup of Arsenic

Scissors of Lead

Lions, Tigers, and Bears

A Bridge on the River Ohio

Timber!

Ich bin die Übermensch!

A Thousand Roses

Encore Non Plus

Erasing Identity

Big Iron (Uses the same melody as the song by Marty Robbins)

Keep on Rolling

Crank It!

Terminal Destination

5 Little Demons on Tour

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The Lubbock Shuffle

Released in 19B5, The Lubbock Shuffle is the Eighth studio album by Feenkönigin. A collaborative effort between Peggy Sue and Carla McNamara planned since the release of Sailing on to Sunday in 19A8, the album is a stand out for its emphasis on Rockabilly and Early Rock and Roll. Almost exclusively covers, Peggy Sue had been inspired by Buddy Holly's plans for an orchestrated gospel album, a prospect that had interested Brandy. Originally planned as a collaborative album between Peggy and Brandy, as recording began, Rhonda and Sweet Jane offered to help her with the songs Great Balls of Fire and Yakety Yack. Eventually, Barbara Ann was asked to come in and help record Jailhouse Rock and Johnny B. Goode.

The Album includes:

Oh Boy! (A cover of the song by Buddy Holly & The Crickets)

Good Golly Miss Molly (A cover of the song by Little Richard)

Blue Suede Shoes (A cover of the song by Elvis Presley)

Tip-tip-tappin

Johnny B. Goode (A cover of the song by Chuck Berry)

Great Balls of Fire (A cover of the song by Jerry Lee Lewis)

Yakety Yack (A cover of the song by The Coasters)

Jailhouse Rock (A cover of the song by Elvis Presley)

The Houston Hop

Lollipop (A cover of the song by Ronald & Ruby)

Mr. Sandman (A cover of the song by Pat Ballard)

Everyday (A cover of the song by Buddy Holly & The Crickets)

Sh-Boom (A cover of the song by The Chords)

Come Go With Me (A cover of the song by The Del-Vikings)

Rodeo Randy

Jingle Jangle Jingle (A cover of the song by Kay Kyser)

Folsom Prison Blues (A cover of the song by Johnny Cash)

[unfortunately-a-fangirl]

Released in 19B7, Run Rabbit, Run Rabbit is the Twelfth studio album by Feenkönigin. It features 11 songs and 6 covers. Developed following a series of American interventions in the Latin America, the album was developed largely by Carla Gwendolyn McNamara and Jane Paul Yule. Being released a few months after Peggy Sue's marriage to John Hardin, the album is the only one to feature Backing Vocalist Lucy Wayne- who typically filled in for Peggy Sue on tour. It also one of a few albums that has Barbara Ann only on the Guitar- the other albums being The Lubbock Shuffle and Seven Sorrows. The album is divisive among fans of the band for the juxtaposition of Soft Rock, Orchestration, and its Anti-war message, a subject of debate that has helped keep it relevant well past its creation. The Single Valentine Poppies topped the charts during the Gulf War. It is the second best selling album after The Girl and the Green Fairy.

The Album includes the following songs:

Run Rabbit Run (A cover of the song by Flanagan and Allen)

La Gloire de Guerre

The Meatgrinder's Penance

Valentine Poppies

A Fine Night for a Foxtrot

The Blackwater Buzzard

Ride of the Valkyries (A cover of the song by Richard Wagner)

The Eagle's Talons

Serpent on the Lake

Sympathy for the Devil (A cover of the song by The Rolling Stones)

Looking up the Cooper

Red Snow

Admir-a-bal

Born in the U.S.A. (A cover of the song by Bruce Springsteen)

Over the Top

La Croix de Guerre (a reprise of La Gloire de Guerre)

And When They Ask Us (A cover of the song by Jerome Kern from Oh! What a Lovely War!)

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The Girl and the Green Fairy

Released 19B4, The Girl and the Green Fairy also known as the Green Album, is the Seventh studio album by Feenkönigin, distributed by White Rabbit Studios. Published in the midst of the Great Lorry Strike, Ladies Liberty Records let their contract with Feenkönigin expire because of the majority of the band's support of the strikers. Margaret Sue- the most firmly pro-striker- used her own funds along with some money from the other bandmembers to set up White Rabbit Records until the Strike could finish. The initial release was done over the radio, in order to not undermine the strikers, with WRR distributing pre-produced albums when the Strike ended in the favor of the Trucker Companies in late 19B4. Unlike most other albums, The Girl and the Green Fairy was conceived by Sweet Jane and Rhonda. It is a Psychedelia Concept Album inspired by Alice in Wonderland (1865) and The Wall (1979) consisting of 12 songs split into 3 parts and 2 interludes.

The Album includes the following songs:

Without a Cause

Drinking the Kool Aid

The Great Ranch in the Sky

Grounding

A Song for the Interlopers Pt. 1

Arguing with the Bossmen

Floating Free on a Dream

Built on Our Shoulders

A Song for the Interlopers Pt. 2

Lover's Quarrel

The Pale Driver's Tribunal

With Abrupt Pause

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Lipstick Against the Law

Released in 19A9, Lipstick Against the Law is the Third studio album by Feenkönigin. Featuring 12 songs and 1 cover (I Fought the Law), the idea behind the album as a lesbian ode to early punk rock came about after Lead Vocalist Barbara Ann Lee was arrested in Atlanta, Georgia for sodomy. Although she was only given a fine, Barbara Ann began work along with Backing Vocalist Sweet Jane and Drummer Rhonda O'Regan-Dean in order to spite Georgia State Police. Lipstick Against the Law caused the most tension of any of the albums, with Texan Rhythm Guitarist and Backing Vocalist Peggy Sue threatening to leave the band over the overtly queer message. The Album's closing track I Love Me a Woman and a Man (and They're Both Mine) is considered to be Barbara Ann's coming out as Bisexual.

The Album includes the following songs:

I Fought the Law (A Cover of the song by the Crickets)

Lipstick Against the Law

March to the Sea

Women In Black

Little Red Saucer

Damsel in the Dress

Venusian Interlude

Ms. Sappho and Mr. Allcock

Picking Peaches

The Lawman's Peashooter

Ms. Naomi Watts

I Love Me a Woman and a Man (and They're Both Mine)

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White Sands of Stenheim

Released in 19A8, White Sands of Stenheim was the debut studio album of Feenkönigin. Featuring 7 original songs and 5 covers (including their debut single A Lady's Love is Her Own). Feenkönigin were unable to find a record label for the better part of 19A7 until Drummer Rhonda O'Reagan-Dean met Ladies Liberty Records producer Paul Wilcock after a drag race in September of that year. Excluding The Girl and the Green Fairy, all albums by the band have been distributed by the label.

White Sands of Stenheim has the following songs:

Get Around (Cover of Song by the Beach Boys)

Roaring Love

Wink and a Prayer

In My Sails

Surfin' USA (Cover of Song by the Beach Boys)

Bronzing

My Snowy Umbrella

Oh, My Sweet Little

Tiki Torch

Put Your Head on My Shoulder (Cover of Song by Paul Anka)

A Lady's Love is Her Own

That'll be the Day (Cover of Song by Buddy Holly)