my favourite is when matt inhales sharply at the start of each lyric
seen from United States

seen from United States
seen from United Kingdom

seen from China

seen from Russia
seen from United States
seen from China
seen from United States
seen from China
seen from Russia
seen from Australia
seen from Hong Kong SAR China
seen from United States
seen from Italy

seen from United States
seen from China
seen from United States
seen from Yemen
seen from Georgia

seen from Maldives
my favourite is when matt inhales sharply at the start of each lyric
Some OC portraits I worked on a bit ago!
I made these in tiny notecards and just went over them digitally.
They're my OCs, Jakie Loo, Judgment, and Fillip!
Even though I doubt this is how they would interact but I would just like to make something nice and simple
May I also know how they would actually interact?
@lovely-lauren-arts
Means of Production: Indigenous Patterns, Forms, and Letters Join Fillip and design educators Christopher and Kathleen Sleboda (nłeʔképmx) of Draw Down Books on Saturday, January 27, for a typography workshop presented in collaboration with the Jake Kerr Faculty of Graduate Studies at Emily Carr University of Art + Design in Vancouver, British Columbia.
Book two
Tedros:I love you, Aghata!
Tedros one min later*
Tedros : I don't need you anymore! I want to be all my life with my new best friend Fillip. I like him and he likes me. He's better than you!
Aghata: laugh* THAT'S SOPHIE, you idiot!
Tedros: Please, Aghata! Take me back!! I'm an idiot!
He my new favorite cat, and he is dead
ℭ𝔥𝔦𝔩𝔡𝔢𝔫 𝔬𝔣 𝔱𝔥𝔢 𝔰𝔲𝔫 𝔎𝔦𝔩𝔩 𝔱𝔥𝔢 𝔪𝔬𝔫𝔰𝔱𝔢𝔯 ℑ'𝔳𝔢 𝔟𝔢𝔠𝔬𝔪𝔢 𝔗𝔦𝔯𝔢𝔰𝔬𝔪𝔢 𝔞𝔫𝔡 𝔤𝔯𝔦𝔪 𝔄𝔩𝔴𝔞𝔶𝔰 𝔱𝔯𝔶𝔦𝔫𝔤 𝔱𝔬 𝔟𝔢 𝔥𝔦𝔪.
Gary Azon, Woodstock Festival, August 8, 1969
Tomorrow, August 16, 2019, Fillip and Plug In ICA will launch Stagelessness, grupa o.k.’s visual essay on the history and evolution of the stage, at the opening event of the STAGES Biennial in Winnipeg, Manitoba. Curated by Plug In ICA’s director Jenifer Papararo, the biennial features works by Raymond Boisjoly, Daniel Buren, Fastwürms, Kenneth Lavalee, Joar Nango, Silke Otto-Knapp (whose work also appears in Stagelessness), and Andrea Roberts.