The bark paintings and larrakitj (hollow logs) in Naminapu Maymuru-White’s solo at Sullivan+Strumpf poignantly speak not only of Country, but an astral parallel: the Milky Way.
Check out the full story on this amazing woman.

seen from Australia
seen from Türkiye
seen from Netherlands
seen from China
seen from China
seen from Japan

seen from Netherlands

seen from China

seen from Malaysia

seen from Russia
seen from Malaysia

seen from Malaysia
seen from Türkiye

seen from Russia
seen from China

seen from United States
seen from Israel
seen from Japan
seen from United States

seen from Malaysia
The bark paintings and larrakitj (hollow logs) in Naminapu Maymuru-White’s solo at Sullivan+Strumpf poignantly speak not only of Country, but an astral parallel: the Milky Way.
Check out the full story on this amazing woman.
RIDGY-DIDJ Creations logo design @jake_arthur_design #aboriginalart #aboriginaldesign #aboriginalapparel #ridgydidj #aboriginaldesign #aboriginalpride #aboriginalbrand #firstnationspeople #aboriginalaustralia #aboriginalartist #aboriginalaustralia #aboriginalbusiness #aboriginalbusinesses #JakeArthurDesign #blacklivesmatter #smallbusiness #startupbusiness #ceramics #artifacts #authenticart #traditionalart #traditionalartstyle #aboriginalpride (at Mackay, Queensland) https://www.instagram.com/p/CPjtwq8Aeak/?utm_medium=tumblr
#coastsalish #tsouke #salish #salishart #salishartist #sooke #nativeartist #nativeart #nativemade #nativeamericanculture #puyalluptribe #indigenouspeople #indigenous #indigenousart #firstnationsartist #firstnationsart #firstnationspeople #ohalchid https://www.instagram.com/p/CUvQ72RPhiq/?utm_medium=tumblr
#wewillneverforget #orangeshirtday #indigenous #boardingschools Reposted from @kiowajgordon #residentialschools #NativeAmerican #firstnationscanada #firstnationspeople #FirstNations #IndigenousPeople https://www.instagram.com/p/CUdvY_mNrbB/?utm_medium=tumblr
1890...Wounded Knee. Sitting Bull said: Bury me at Wounded Knee. (Just saw a documentary that broke my heart). Real life...what a story. And not always nice to end. Peace and understanding to the world.🙏🙏🌹 #nativeamerican #native #nativepride #firstnation #firstnationspeople #sittingbull #woundedknee #woundedkneemassacre1890 #memorial #neverforget #peace #peaceofmind #peaceandlove #understanding #respect #burymyheartatwoundedknee #america #canada #arte @artefr @arte.tv @arte @patrickdebana_dance #powwow #oneday #iwillbethere (at Wounded Knee, South Dakota) https://www.instagram.com/p/CTNn6eVI6Se/?utm_medium=tumblr
Collectivised from @dot.hep and @getup_australia #enddeathsincustody #alwayswasalwayswillbe #BLM #blacklivesmatter #civilrights #convictcops #prosecutepolice #firstnationspeople #indigenousaustralians #nojusticenopeace https://www.instagram.com/p/CA_95QujUVn/?igshid=6o1attzxvmih
Clookshla #coastsalish #tsouke #salish #salishart #salishartist #sooke #nativeartist #nativeart #nativemade #nativeamericanculture #puyalluptribe #indigenouspeople #indigenous #indigenousart #firstnationsartist #firstnationsart #firstnationspeople #ohalchid #raven #ravenart (at Tacoma, Washington) https://www.instagram.com/p/CP6Q45UrD8u/?utm_medium=tumblr
MAREE CLARKE’S RITUAL AND CEREMONYAncestral Memories
I had the pleasure of visiting the National Gallery of Victoria before lockdown and I am so happy that I did. The exhibition was simply amazing. See if if you can. It was a great history lesson for my brain.
Throughout her career Maree Clarke has developed a deep and contemplative, multidisciplinary practice that continually reclaims and celebrates Aboriginal customary ritual, language and art. Ritual and Ceremony (2012) is comprised of 84 portraits of named Aboriginal men and women from Victoria. These portraits are displayed throughout the show, on blackened-out walls of the gallery, acting like a spine that connects people with culture.
Clarke uses this series to speak frankly about the physical presence of Aboriginal people in the southeast, naming individuals as an antidote to the absence of Aboriginal makers names within historical collections. Clarke challenges visitors to consider the legacy of erasure that has been perpetuated within these walls. She uses white ochre painted on the face and hair of thirty-eight women, and on the eyes and t-shirts of forty-six men to represent widows’ caps and ceremonial body paint, as well as scarification markings in order to honour all that has been lost.