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The United States: Presidents Day is a federal holiday, originally celebrated on George Washington's birthday
Me, An Intellectual: I think we should instead celebrate a different Washington, and by that I mean Agent Washington Red Vs Blue. He's done more for me than George Washington has
Red vs. Blue s10e8 "Fall From Heaven"
Time to fight fire, with fire
I wanna know a thing
Which is your favorite era/story arc of Red vs Blue?
Original Blood Gulch Chronicles
The Recollection
Freelancer Saga
Chorus Trilogy
the one shots
Shisno Trilogy
other/ mini series and the like
Not even sure what the situation is with the Red vs. Blue fandom on here nowadays (my last time as an active part of that was in 2016) but I figure if there’s anyone around, they’ll dig this thing I made:
A 46-minute celebration of the music of Red vs. Blue, in the form of a mega-compilation of clips from seasons 1-13—set to a massive medley of themes, leitmotifs, and other musical cues.
There is also a VFX breakdown video for the original portions, if you wanted to feel insane for eight uninterrupted minutes with how much unnecessary work I did.
There are currently two CC options—regular English captions for subtitles and lyrics, and “music citation” captions, in case there was a song you don’t recognize and felt like hunting down. I hope that’s helpful.
Enjoy!
Whumptober 2022 | Red vs. Blue
No. 31: A Light at The End of The Tunnel | “You can rest now.”
@whumptober-archive
Agent Texas attempts to rescue Alpha, but her efforts prove to be just a little too late; the AI is too broken and too tired to want to do anything more than rest.
Out of the many things that have crushed me throughout RvB’s run, this moment especially stands out to me. Just hearing Alpha say “I’m really tired” was an absolute gut punch for some reason, and the line lives in my head rent free.
Full episode below the ‘Keep Reading’
Did the Director Put Omega With Texas to Punish Her?
Like, that's Alpha's rage. It's, indirectly, the Director's rage. He’s so hung up on his dead girlfriend that he inadvertently created a shadow of her in his mind, who, in turn, became her own being who loved Alpha, not the Director. I imagine while aspects of Tex are like Allison, I imagine so, so much of her is not. And wouldn’t that just piss of the Director oh so much?
He coddles her for sure. Considers her leagues above the rest without preamble. Pits her against his own damn daughter all the time. But for such a self absorbed asshole like himself, I imagine it just ate at him, just a little, that she’s more compatible with the Alpha. Seeks him out to save him when she realizes what they’re doing to him. And wouldn’t it just be like the rat bastard to put Omega with Tex to punish her just like Omega punishes Alpha, for the crime of never living up entirely to what Allison was.
How many times did he reach out for a casual, familiar touch only for Tex to brush him aside instead of responding like Allison would, reaching back to him. How many times did he get close in the hopes of smelling her smell, only to be met with the smell of metal? How much of Allison did he see in Carolina? How much angrier did he become that when Tex failed to live up Allison once again, he allowed Carolina to debilitate herself by putting two incomplete beings into her head and fight Tex, who’s currently being plagued by Omega, who wants to kill Carolina?
Not enough words for the shit show that was their family, for sure.
When a character in a prequel is nowhere to be found in the original source material:
Tucker: Church, say something rebellious.
Epsilon: Uh, okay, I think the working class should uprise against the rich people.
Tucker: I said rebellious, not revolutionary.
Epsilon: Oh, okay. I drive a fast car over the speed limit. All the time.
