Best of What Could Be, 2020 :: This year obviously did not provide many opportunities for performances for any of the Amis or extended Amis, but there were a few things worth remembering, for all. Fra Fee’s screen career is growing by the day, with big budget films and a role in the Marvel universe on its way. Killian Donnelly was able to enjoy a short run as the Phantom in PoTO’s UK tour before it shut down, appeared with other West End musical stars on television in support of more recognition of the arts in the UK, participated in a few concerts, and of course welcomed baby Tadhg with Louise Bowden. Aaron Tveit got through a bout with Covid-19 shortly after the production of Moulin Rouge shut down with the rest of Broadway, but was later able to do some film work for television, and is the sole nominee for (and presumptive winner of) the Best Performance by a Leading Actor in a Musical Tony award this year, for his role as Christian in the show. George Blagden also welcomed a barricade baby this year, little Arlo, with Laura Pitt-Pulford, while also directing his first film, Lara, continuing to narrate audiobooks, working on The World’s Biggest Murder Trial: Nuremberg; and currently celebrating the release of How You Look at Me, and filming Rubikon in Vienna. Hugh Skinner continued to move quietly and well in television projects including The Windsors and Little Birds along with other pieces, and of course providing photo shoots for the ages. Gabriel Vick was lucky enough to perform in London this year with Can I Help You? while supporting multiple mental health and recognition of the arts initiatives.
Iwan Lewis was phenomenally busy this year, running the Barn Theatre in Cirencester, one of the first regional theatres to reopen, with creative safety measures in place and specially-scaled performances for all ages. The Barn also ran virtual performances for most of the year, while Iwan became a leading voice for regional arts companies in the UK (and of course lived at the bidding of Hugo the dog). And my particular extended Amis of interest, Jamie Muscato and Matthew Seadon-Young, found new creative paths while embracing older ones, too; Jamie performed in solo virtual concerts and with the Back Garden Busk, and looked forward to next month’s streaming of Lazarus; while Mat’s photography continued to share brilliant new perspectives and helped raise money for fellow performers via Funds for Freelancers auctions. Raising a glass now in hopes of a vibrant 2021 for all of the above, and for you as well.
