#gmajor

[klaskyrobert]

[jalonz0]

Visit Original Link

(John D. Alonzo)

[dourains]

J.S.Bach Suite No.1 in G major BWV 1007 Prélude for Solo Cello🎶🎻🎶By Bruce Rains(Age 6) @brucerains #cello #bach #gmajor #music #大提琴 #巴赫 #音樂

J.S.Bach Suite No.1 in G major BWV 1007 Prélude for Solo Cello🎶🎻🎶By Bruce Rains(Age 6)❄🌎⚓💙😉Bruce Rains #cello #bach #gmajor #music #大提琴 #巴赫

0 views, 2 likes, 0 loves, 1 comments, 0 shares, Facebook Watch Videos from Bruce Rains: J.S.Bach Suite No.1 in G major BWV 1007 Prélude for

[dourains]

J.S.Bach Suite No.1 in G major BWV 1007 Prélude for Solo Cello🎶🎻🎶By Bruce Rains(Age 6) @brucerains 

[rafiknyclassical]

Haydn - Trio for flute, cello, and piano in G major, Hob. XV:15

From Jan.27th, 2016. A perfect performance. Haydn always surprises!

Ginevra Petrucci, flute  Dorotea Racz, cello Dmitry Samogray, piano Audeamus International Music Festival Mimara Concert Hall, Zagreb, Croatia

[therealeddyrocks]

Pretty please!!! 😊😂😬🤔🙏💏 #guitar #chords #gmajor #fmajor #gf https://www.instagram.com/p/COGJEQUs4Zt/?igshid=7oifhm2njs2g

[primecollector]

Perfect post dinner suite #jsbach #cello #yoyoma #bvw1007 #gmajor https://www.instagram.com/p/CF9zFn4lJfS/?igshid=bfmpwl3c2sq3

[two-chords]

Here’s Where the Story Ends

Here’s Where the Story Ends (1990) The Sundays Rock/Popular/Jangle-Pop, United Kingdom key: G major

Euroclassical function names:   tonic   subdominantTagg: tonic   counterpoiseRiemann: T Sscale degrees: I IVchord names: GMA7 CMA7

intro:   GMA7     CMA7 |:/ / / / |/ / / / :| 2x

verse 1 & 3   GMA7     CMA7 |:/ / / / |/ / / / :| 6x

verse 2   GMA7     CMA7 |:/ / / / |/ / / / :| 8x

chorus   CMA7              GMA7 |:/ / / / |/ / / / |/ / / / |/ / / / :| 4x

mode: G major — G A B C D E F# G melody: drmfsltd’r’m’f’ form: intro-verse-verse-chorus-intro-verse-chorus-intro meter: duple suggested time signature: 4|4

other recordings: Ben Hobbs, Db Kelly Duplex, E

This wistful ditty is made up of two chord shuttles of different lengths and different positioning of the two chords. Most of the song consists of a tonic-subdominant shuttle, in which each chord lasts one measure. The chorus’ shuttle is twice as long and it is a subdominant-tonic shuttle, providing a sort of counterpoise kickback and putting the home chord at the end of the section. The song itself ends with the short shuttle and a single G downbeat.

The major seventh chord is more common in jazz and some styles of classical music, but it does pop up in popular music like this occasionally. I once saw Kristen Hersh in concert and segueing out of her guitar-tuning banter, she played a chord and said, “This is a major seventh chord. You can use major seventh chords if you’re old… or if you’re Simon & Garfunkel. I just turned 36, so now I’m old enough to use them.” I say, don’t wait. Enjoy them at all ages.