decided to dress up tonight) heading out for a special meeting. how do you like this dress on me? hit like if you’d want to be the one waiting for me
seen from United States
seen from Canada

seen from Malaysia

seen from United States

seen from Australia
seen from United States
seen from United States

seen from Saudi Arabia

seen from United States
seen from China

seen from Saudi Arabia
seen from United States

seen from Australia

seen from Australia

seen from Malaysia
seen from Japan

seen from Australia

seen from Australia
seen from United States
seen from United States
decided to dress up tonight) heading out for a special meeting. how do you like this dress on me? hit like if you’d want to be the one waiting for me
live healthy, guys
If we were meant to stay in one place, we’d have roots instead of feet.
-- Rachel Wolchin
(Mulhouse, France)
summer’s coming
“Stephen and I reached a point where we had done all we could with the material, and it was complete apart from the vocals. It was time to play it to Damon. We arrived at his studio in a state of trepidation, but when we played him 'Go Out, with its big, aggressive gestures, he started jumping around and dancing. 'Yeah, we've got him!' I thought, 'He's fallen for it?' He said, "Oh, shit, this is good. Now I'll have to write some lyrics." He was kind of pleased that we'd pulled it off, but he saw a lot of work ahead.”
Graham Coxon about Damon's reaction to Go Out, from The Magic Whip, in his memoir, "Verse, Chorus, Monster!", p. 263, 264.